Narrating the Transmodern Fracture in Teju Cole’s Every Day Is for the Thief
This paper examines the novella Every Day Is for the Thief (Teju Cole, 2007/2014) as exemplary of the transmodern turn in literature and, specifically, of what Rosa María Rodríguez Magda has termed “narratives of fracture” (2019). It explores the theoretical shift ushered in by Transmodernity and th...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Fecha de publicación: | 2025 |
| País: | España |
| Institución: | Universidad de Santiago de Compostela (USC) |
| Repositorio: | Minerva. Repositorio Institucional de la Universidad de Santiago de Compostela |
| Idioma: | inglés |
| OAI Identifier: | oai:minerva.usc.gal:10347/45316 |
| Acceso en línea: | https://hdl.handle.net/10347/45316 |
| Access Level: | acceso abierto |
| Palabra clave: | Transmodernity Postmillennial literature Travelogue Narratives of fracture Teju Cole Every Day Is for the Thief Globalization Transnational networks 6202 Teoría, análisis y crítica literarias 620201 Crítica de textos 620202 Análisis literario 620205 Retórica |
| Sumario: | This paper examines the novella Every Day Is for the Thief (Teju Cole, 2007/2014) as exemplary of the transmodern turn in literature and, specifically, of what Rosa María Rodríguez Magda has termed “narratives of fracture” (2019). It explores the theoretical shift ushered in by Transmodernity and the repercussions this may have for texts like Cole’s –literary works that address the shortcomings of the Eurocentric world-system and scrutinize the implications of globalization for paramodern cultures– using Enrique Dussel’s terminology (2012). By focusing on the text’s approach to genre and intermediality, conflicted narrative voice, and depiction of transnational fluxes, I seek to chart the ways in which the narrative exposes and undermines Western epistemic domination, while pushing new ways of seeing and thinking aligned with the transmodern paradigm. |
|---|