El concepto de identidad en : "Il Visconte dimezzato e Il Cavaliere inesistente" de Italo Calvino
Italo Calvino, despite being so discreet and away from narcissistic acts and displays of himself, never stopped to question himself what meant to say “I”, through his writings, though an obliquely and subtly autobiographical way. Therefore, what we investigate here is the concept of personal identit...
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| Tipo de recurso: | tesis doctoral |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Universidad Complutense de Madrid (UCM) |
| Repositorio: | Docta Complutense |
| Idioma: | español |
| OAI Identifier: | oai:docta.ucm.es:20.500.14352/22483 |
| Acceso en línea: | https://hdl.handle.net/20.500.14352/22483 |
| Access Level: | acceso abierto |
| Palabra clave: | 821.131.1Calvino, Italo1.09(043.2) Italo Calvino Filología italiana 5505.10 Filología |
| Sumario: | Italo Calvino, despite being so discreet and away from narcissistic acts and displays of himself, never stopped to question himself what meant to say “I”, through his writings, though an obliquely and subtly autobiographical way. Therefore, what we investigate here is the concept of personal identity as how it emerges in the Visconte dimezzato and Il Cavaliere inesistente, implicitly, as we have seen, since this was not the explicit interest of the two works. We wondered: is there a relationship between being someone who is not, of the Cavaliere inesistente, and the half himself, of the Visconte dimezzato? Is Calvino abstractly speaking, with the metaphors of the halved man and the man who does not exist, or does he refer to a type of man in particular? Is there any relationship between the identity of his characters and himself, and to what extent?... |
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