En el nombre del padre... Joan de Joanes en el taller de Vicent Macip (c. 1520-1542). Consideraciones sobre las autorías compartidas
[EN] This paper focuses on the period of consolidation of Joan de Joanes as a master painter, and particularly at the time when, before taking charge of the management of the family workshop, he worked in the shadow of his father. Through a series of case studies, the incipient artistic activity of...
| Autores: | , |
|---|---|
| Tipo de recurso: | artículo |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/179186 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/179186 |
| Access Level: | acceso abierto |
| Palabra clave: | Joan de Joanes Vicent Macip Renacimiento Pintura Talleres Siglo XVI HISTORIA DEL ARTE |
| Sumario: | [EN] This paper focuses on the period of consolidation of Joan de Joanes as a master painter, and particularly at the time when, before taking charge of the management of the family workshop, he worked in the shadow of his father. Through a series of case studies, the incipient artistic activity of the young Joanes is briefly outlined, while some considerations about works and tasks in the workshops are raised. All this leads a revision of the attribution of certain artworks that from now on must be considered joint authorship. Finally, some conclusions and premises are raised between the lines. Although they not only are valid in the case of the Macip family workshop, but they are also equally operative for many other artists of the period |
|---|