Defining and assessing artistic co-creation
This article presents research developed within the framework of the European project TRACTION, which aims to co-create operas in three different environments incorporating technological elements and with the ultimate objective of generating a social transformation. Through 19 interviews carried out...
| Autores: | , |
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| Formato: | artículo |
| Fecha de publicación: | 2022 |
| País: | España |
| Recursos: | Universitat Autònoma de Barcelona |
| Repositorio: | Dipòsit Digital de Documents de la UAB |
| Idioma: | inglés |
| OAI Identifier: | oai:dnet:uabarcelona_::c42e84a77ec2a03f9cc2a31fb2150721 |
| Acesso em linha: | https://ddd.uab.cat/record/327628 https://dx.doi.org/urn:doi:10.5209/aris.75840 |
| Access Level: | acceso abierto |
| Palavra-chave: | Opera Co-creation Participation Methodology Evaluation Ópera Cocreación Participación Metodología Evaluación |
| Resumo: | This article presents research developed within the framework of the European project TRACTION, which aims to co-create operas in three different environments incorporating technological elements and with the ultimate objective of generating a social transformation. Through 19 interviews carried out in three different countries (Spain, Ireland, Portugal), a map of indicators that can be used to evaluate artistic co-creation is proposed. The value of the proposal is that the indicators are validated through a focus group with representatives from three diverse co-creation processes-in the Raval neighborhood in Barcelona, in different areas of Ireland, in a prison in Leiria-and serve as a general framework for very diverse environments. Likewise, the work contributes to the debate on the concept of co-creation through a thematic analysis of the definitions provided by the different interviewees. Central topics in the thematic analysis of the definitions are: collaboration, participant profile and role, goal and value, origin and development, and ethical and social aspects. |
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