“Mira Nero de Tarpeya”: el romance, La Celestina y la poesía italiana
In the first auto of La Celestina, Calisto quotes the first lines of the romance “Mira Nero de Tarpeya”, and he consider it from the point of view of amorous relationships: the blaze of Rome is compared to the metaphorical flames of the lover, and Nero’s cruelty stand for the beloved’s cruelty...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2016 |
| País: | España |
| Institución: | Universidad de Navarra |
| Repositorio: | Dadun. Depósito Académico Digital de la Universidad de Navarra |
| Idioma: | español |
| OAI Identifier: | oai:dadun.unav.edu:10171/41730 |
| Acceso en línea: | https://hdl.handle.net/10171/41730 |
| Access Level: | acceso abierto |
| Palabra clave: | Relaciones hispano-italianas Romancero Poesia Italianista La Celestina |
| Sumario: | In the first auto of La Celestina, Calisto quotes the first lines of the romance “Mira Nero de Tarpeya”, and he consider it from the point of view of amorous relationships: the blaze of Rome is compared to the metaphorical flames of the lover, and Nero’s cruelty stand for the beloved’s cruelty. In this article we study this two fold comparison from a historical point of view, that is, making the comparison with other Spanish and Italian texts that use the same or a similar metaphor. From our analysis we draw the conclusion that La Celestina is ahead of the sixteenth century italianist poetry, most probably because its author is already acquainted with the Italian lyric poetry of the Quattrocento. |
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