La proliferación de espejos: 'Don Quijote' y Antonio Saura
In 1987, the Cervantine iconography was embellished with an edition oí Don Quijote drawn by Antonio Saura. This original recreation made by a contemporary artist dealing with the relationship between images and writing, has been considered a model of reading of this universal classic work. The paper...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 1997 |
| País: | España |
| Recursos: | Universitat de Lleida (UdL) |
| Repositorio: | Repositori Obert UdL |
| OAI Identifier: | oai:repositori.udl.cat:10459.1/65335 |
| Acesso em linha: | http://hdl.handle.net/10459.1/65335 |
| Access Level: | acceso abierto |
| Palavra-chave: | Ciencias sociales Biblioteconomía y documentación Humanidades Historia |
| Resumo: | In 1987, the Cervantine iconography was embellished with an edition oí Don Quijote drawn by Antonio Saura. This original recreation made by a contemporary artist dealing with the relationship between images and writing, has been considered a model of reading of this universal classic work. The paper analyzes the characteristics of the work and explores the meanings of the intervention developed by this Aragonese painter. |
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