La proliferación de espejos: 'Don Quijote' y Antonio Saura
In 1987, the Cervantine iconography was embellished with an edition oí Don Quijote drawn by Antonio Saura. This original recreation made by a contemporary artist dealing with the relationship between images and writing, has been considered a model of reading of this universal classic work. The paper...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 1997 |
| País: | España |
| Institución: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:10459.1/65335 |
| Acceso en línea: | http://hdl.handle.net/10459.1/65335 |
| Access Level: | acceso abierto |
| Palabra clave: | Ciencias sociales Biblioteconomía y documentación Humanidades Historia |
| Sumario: | In 1987, the Cervantine iconography was embellished with an edition oí Don Quijote drawn by Antonio Saura. This original recreation made by a contemporary artist dealing with the relationship between images and writing, has been considered a model of reading of this universal classic work. The paper analyzes the characteristics of the work and explores the meanings of the intervention developed by this Aragonese painter. |
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