Towards a better understanding of novel educational technologies and the impact of feedback on violin learning: a behavioral and electrophysiological account
Mastering the violin and other bowed string instruments requires special considerations compared with other musical instruments. The process of good sound generation in the violin is a notoriously complex task that requires precise spatiotemporal control of bowing gestures. In addition, Unlike the p...
| Autor: | |
|---|---|
| Tipo de recurso: | tesis doctoral |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | CBUC, CESCA |
| Repositorio: | TDR. Tesis Doctorales en Red |
| OAI Identifier: | oai:www.tdx.cat:10803/672684 |
| Acceso en línea: | http://hdl.handle.net/10803/672684 |
| Access Level: | acceso abierto |
| Palabra clave: | Violin Music learning Intonation Singing Motor learning Kinematics EEG Audio descriptors Aprendizaje musical Entonación Canto Aprendizaje motor Cinemática Descriptores de audio 62 |
| Sumario: | Mastering the violin and other bowed string instruments requires special considerations compared with other musical instruments. The process of good sound generation in the violin is a notoriously complex task that requires precise spatiotemporal control of bowing gestures. In addition, Unlike the piano and other keyed or fretted instruments like the guitar, pitch control in the violin is continuous and, thus, movements must be much more precise. This makes music production and intonation monitoring with those instruments much more dependent on auditory feedback. In this PhD thesis, we present the results of four experiments designed to study and evaluate the effects of feedback (visual or auditory) and educational technologies in both violin learners and professional violinists from a psychological and psychophysiological perspective. Results show promising perspectives for the development and advancement of this kind of new educational tools to help music students. At the same time, they highlight the need for a truly multidisciplinary enterprise not only, to design and correctly evaluate future educational technologies, but also to transcend our understanding of musical learning in all its deepest essences and facets. |
|---|