Propuesta de arte comunitario como acción en contra de la violencia de género

[EN] The present communication intends to give account of a community art project through an experience that arises from the women's group "Flor de Espliego Women's Association" of Alcaudete. This action has the intention of making a monument as a way of social pr...

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Detalles Bibliográficos
Autor: Martínez Morales, María
Tipo de recurso: capítulo de libro
Fecha de publicación:2017
País:España
Institución:Universitat Politècnica de València (UPV)
Repositorio:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
Idioma:español
OAI Identifier:oai:riunet.upv.es:10251/107415
Acceso en línea:https://riunet.upv.es/handle/10251/107415
Access Level:acceso abierto
Palabra clave:Práctica artística colaborativa
Violencia de género
A/r/tografía
Collaborative artistic practice
Gender-based violence
a/r/tography
Descripción
Sumario:[EN] The present communication intends to give account of a community art project through an experience that arises from the women's group "Flor de Espliego Women's Association" of Alcaudete. This action has the intention of making a monument as a way of social protest against of genderYbased violence. The communication is organized according to a series of sections for exposing the phases of the project, as well as the research approach adopted and issues arising from the experience. For this, an introduction is presented where the project, origin and its conection with collaborative art as a form of social intervention through community action is presented in a generic way, the following section tries to expose the design of the intervention from a glance a/r/ tographic in the field of collaborative practices, axis of action with the intention of claiming the situation of gender inequality that many women live. Finally, a series of photographs is presented, such as visual reflections of aesthetic research, aimed at exposing the potential of the new forms of cooperation that are being developed from the point of view of collective practices, hybrid spaces that promote the production of knowledge collective. The experience works as a device that transforms the modes of research and current cultural production-