El espacio escénico en la nueva normalidad del Covid-19. Análisis gráfico de los montajes contemporáneos de La Traviata en el Teatro Real de Madrid
[EN] In opera, a musical drama, the plot unfolds according to the descriptions of the different locations that appear in the text, but what happens when it is produced on stage? Such indications enable us to understand the composer’s intentions in his day; however, with the passage of time, they bec...
| Autores: | , , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/177351 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/177351 |
| Access Level: | acceso abierto |
| Palabra clave: | Theatre Opera Scenic space Scenography Covid Graphic analysis Teatro Ópera Espacio escénico Escenografía Análisis gráfico |
| Sumario: | [EN] In opera, a musical drama, the plot unfolds according to the descriptions of the different locations that appear in the text, but what happens when it is produced on stage? Such indications enable us to understand the composer’s intentions in his day; however, with the passage of time, they become a guide for an artistic team to adapt the stage space in relation to the piece of music, as and when necessary, by interpreting it. As a result of the regulations imposed by COVID-19, the conception of this space has been forced to change; so what happens when specific restrictions are imposed? The Teatro Real in Madrid has been the first such institution to come up with a possible answer, with the production of a new Traviata. Using graphic analysis and comparing the different adaptations of the work in this second stage of the history of the Teatro Real, it is our intention to demonstrate how relevant the spirit of Verdi’s work is at the present time. |
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