"De Venecia a Lerma: la recepción vocal e instrumental de Boccaccio. Música, epidemias y canon poético (1500-1650)".

Between 1500 and 1650, severe epidemic episodes took place in northern and central Italy and transformed the political, territorial, social, economic and cultural reality of these states. Throughout this time, madrigals’ composers increasingly integrated the sung poems that close the journeys of Boc...

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Detalhes bibliográficos
Autor: Pastor Comín, Juan José
Formato: artículo
Fecha de publicación:2022
País:España
Recursos:Universidad de Castilla-La Mancha
Repositorio:RUIdeRA. Repositorio Institucional de la UCLM
OAI Identifier:oai:ruidera.uclm.es:10578/46359
Acesso em linha:https://doi.org/10.5209/cfit.74321
https://revistas.ucm.es/index.php/CFIT/article/view/74321
https://hdl.handle.net/10578/46359
Access Level:acceso abierto
Palavra-chave:Baroque
Barroco
Boccaccio
music and literature
Música y Literatura
musical reception
Recepción musical
Renacimiento
Renaissance
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repository_id_str
spelling "De Venecia a Lerma: la recepción vocal e instrumental de Boccaccio. Música, epidemias y canon poético (1500-1650)".Pastor Comín, Juan JoséBaroqueBarrocoBoccacciomusic and literatureMúsica y Literaturamusical receptionRecepción musicalRenacimientoRenaissanceBetween 1500 and 1650, severe epidemic episodes took place in northern and central Italy and transformed the political, territorial, social, economic and cultural reality of these states. Throughout this time, madrigals’ composers increasingly integrated the sung poems that close the journeys of Boccaccio’s Decameron as a response to the lived reality, thus configuring a canon that evolved as new epidemic episodes struck the population. The aim of this paper is, first, to delimit and present for the f irst time the musical sources of Boccaccio’s texts during the period examined, both in the vocal and instrumental spheres, as well as their place in the space of the sacred contrafacta as missa parodia. It also aims to configure the evolution of the poetic canon in music, and its dissemination –which reaches the court of Duke Lerma in Spain– as well as to concisely analyze this canon’s musical characteristics –facture, form and genre– as a creative, interpretive and expressive response to literary stimulus.Entre 1500 y 1650 se sucedieron en el norte y centro de Italia severos episodios epidémicos que transformaron la realidad política, territorial, social, económica y cultural de sus estados. A lo largo de este tiempo los compositores de madrigales integraron de un modo creciente, como respuesta a la realidad vivida, los poemas cantados que cierran las jornadas del Decamerón de Boccaccio, configurándose así un canon que evolucionó a medida en la que nuevos episodios epidémicos golpeaban a la población. Este trabajo se propone delimitar y dar a conocer las fuentes musicales de los textos de Boccaccio durante el periodo examinado, tanto en el ámbito vocal como instrumental, así como su lugar en el espacio de los contrafacta sacros como misas parodia; configurar la evolución del canon poético puesto en música y su difusión –que alcanza hasta la corte del Duque de Lerma en España–, y analizar concisamente las características musicales –factura, forma y género– del mismo como respuesta creativa, interpretativa y expresiva frente al estímulo literarioUniversidad Complutense de Madrid202620262022info:eu-repo/semantics/articleapplication/pdfapplication/pdfhttps://doi.org/10.5209/cfit.74321https://revistas.ucm.es/index.php/CFIT/article/view/74321https://hdl.handle.net/10578/46359reponame:RUIdeRA. Repositorio Institucional de la UCLMinstname:Universidad de Castilla-La ManchaEspañolHAR2017-86039-C2-2-PRED2018-102342-TPDC2021-121092-C21info:eu-repo/semantics/openAccessoai:ruidera.uclm.es:10578/463592026-05-27T07:36:41Z
dc.title.none.fl_str_mv "De Venecia a Lerma: la recepción vocal e instrumental de Boccaccio. Música, epidemias y canon poético (1500-1650)".
title "De Venecia a Lerma: la recepción vocal e instrumental de Boccaccio. Música, epidemias y canon poético (1500-1650)".
spellingShingle "De Venecia a Lerma: la recepción vocal e instrumental de Boccaccio. Música, epidemias y canon poético (1500-1650)".
Pastor Comín, Juan José
Baroque
Barroco
Boccaccio
music and literature
Música y Literatura
musical reception
Recepción musical
Renacimiento
Renaissance
title_short "De Venecia a Lerma: la recepción vocal e instrumental de Boccaccio. Música, epidemias y canon poético (1500-1650)".
title_full "De Venecia a Lerma: la recepción vocal e instrumental de Boccaccio. Música, epidemias y canon poético (1500-1650)".
title_fullStr "De Venecia a Lerma: la recepción vocal e instrumental de Boccaccio. Música, epidemias y canon poético (1500-1650)".
title_full_unstemmed "De Venecia a Lerma: la recepción vocal e instrumental de Boccaccio. Música, epidemias y canon poético (1500-1650)".
title_sort "De Venecia a Lerma: la recepción vocal e instrumental de Boccaccio. Música, epidemias y canon poético (1500-1650)".
dc.creator.none.fl_str_mv Pastor Comín, Juan José
author Pastor Comín, Juan José
author_facet Pastor Comín, Juan José
author_role author
dc.subject.none.fl_str_mv Baroque
Barroco
Boccaccio
music and literature
Música y Literatura
musical reception
Recepción musical
Renacimiento
Renaissance
topic Baroque
Barroco
Boccaccio
music and literature
Música y Literatura
musical reception
Recepción musical
Renacimiento
Renaissance
description Between 1500 and 1650, severe epidemic episodes took place in northern and central Italy and transformed the political, territorial, social, economic and cultural reality of these states. Throughout this time, madrigals’ composers increasingly integrated the sung poems that close the journeys of Boccaccio’s Decameron as a response to the lived reality, thus configuring a canon that evolved as new epidemic episodes struck the population. The aim of this paper is, first, to delimit and present for the f irst time the musical sources of Boccaccio’s texts during the period examined, both in the vocal and instrumental spheres, as well as their place in the space of the sacred contrafacta as missa parodia. It also aims to configure the evolution of the poetic canon in music, and its dissemination –which reaches the court of Duke Lerma in Spain– as well as to concisely analyze this canon’s musical characteristics –facture, form and genre– as a creative, interpretive and expressive response to literary stimulus.
publishDate 2022
dc.date.none.fl_str_mv 2022
2026
2026
dc.type.none.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.none.fl_str_mv https://doi.org/10.5209/cfit.74321
https://revistas.ucm.es/index.php/CFIT/article/view/74321
https://hdl.handle.net/10578/46359
url https://doi.org/10.5209/cfit.74321
https://revistas.ucm.es/index.php/CFIT/article/view/74321
https://hdl.handle.net/10578/46359
dc.language.none.fl_str_mv Español
language_invalid_str_mv Español
dc.relation.none.fl_str_mv HAR2017-86039-C2-2-P
RED2018-102342-T
PDC2021-121092-C21
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidad Complutense de Madrid
publisher.none.fl_str_mv Universidad Complutense de Madrid
dc.source.none.fl_str_mv reponame:RUIdeRA. Repositorio Institucional de la UCLM
instname:Universidad de Castilla-La Mancha
instname_str Universidad de Castilla-La Mancha
reponame_str RUIdeRA. Repositorio Institucional de la UCLM
collection RUIdeRA. Repositorio Institucional de la UCLM
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15.812429

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