"De Venecia a Lerma: la recepción vocal e instrumental de Boccaccio. Música, epidemias y canon poético (1500-1650)".
Between 1500 and 1650, severe epidemic episodes took place in northern and central Italy and transformed the political, territorial, social, economic and cultural reality of these states. Throughout this time, madrigals’ composers increasingly integrated the sung poems that close the journeys of Boc...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2022 |
| País: | España |
| Institución: | Universidad de Castilla-La Mancha |
| Repositorio: | RUIdeRA. Repositorio Institucional de la UCLM |
| OAI Identifier: | oai:ruidera.uclm.es:10578/46359 |
| Acceso en línea: | https://doi.org/10.5209/cfit.74321 https://revistas.ucm.es/index.php/CFIT/article/view/74321 https://hdl.handle.net/10578/46359 |
| Access Level: | acceso abierto |
| Palabra clave: | Baroque Barroco Boccaccio music and literature Música y Literatura musical reception Recepción musical Renacimiento Renaissance |
| Sumario: | Between 1500 and 1650, severe epidemic episodes took place in northern and central Italy and transformed the political, territorial, social, economic and cultural reality of these states. Throughout this time, madrigals’ composers increasingly integrated the sung poems that close the journeys of Boccaccio’s Decameron as a response to the lived reality, thus configuring a canon that evolved as new epidemic episodes struck the population. The aim of this paper is, first, to delimit and present for the f irst time the musical sources of Boccaccio’s texts during the period examined, both in the vocal and instrumental spheres, as well as their place in the space of the sacred contrafacta as missa parodia. It also aims to configure the evolution of the poetic canon in music, and its dissemination –which reaches the court of Duke Lerma in Spain– as well as to concisely analyze this canon’s musical characteristics –facture, form and genre– as a creative, interpretive and expressive response to literary stimulus. |
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