Inverted Upsilon. Roman Portraits with Y-Motif in the Fringe
Roman portraits with Y-Motif in the fringe have never been investigated exhaustively. Isolated comments or individual studies of some of them are all that can be found in specialised literature. The basic questions posed by the use of this iconographic detail in Roman portraiture remain unanswered:...
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2024 |
| País: | España |
| Institución: | Universidad Nacional de Educación a Distancia |
| Repositorio: | e-spacio. Repositorio Institucional de la UNED |
| Idioma: | inglés |
| OAI Identifier: | oai:dnet:espacio_____::d24924d498248183d593d43283d33db7 |
| Acceso en línea: | https://hdl.handle.net/20.500.14468/32146 |
| Access Level: | acceso abierto |
| Palabra clave: | 5506.02 Historia del arte Roman portrait Fork Fringe Iconography Y-Motif Retrato romano Horquilla Flequillo Iconografía Y-motivo |
| Sumario: | Roman portraits with Y-Motif in the fringe have never been investigated exhaustively. Isolated comments or individual studies of some of them are all that can be found in specialised literature. The basic questions posed by the use of this iconographic detail in Roman portraiture remain unanswered: when and where it was employed, who were portrayed in that way, and why. The aim of the present paper is to fill that gap in research. |
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