Una Resurrección inédita de Cristóbal Llorens (Bocairent ca. 1550 ¿Valencia? 1622). Estudio histórico, iconográfico, análisis técnico y proceso de restauración
[EN] Through the present investigation the study of an unpublished work and its possible attribution to the corpus of the painter Cristóbal Llorens, outstanding painter of the workshop of Joan de Joanes is approached. The work, coming from private collection, has recently been auctioned in the art m...
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| Tipo de recurso: | tesis de maestría |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/89189 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/89189 |
| Access Level: | acceso abierto |
| Palabra clave: | Oil on panel Postjuanesca School Valencian Mannerism Valencian Renaissance painting Resurrection Cristóbal Llorens Óleo sobre tabla Resurrección Pintura renacentista valenciana Manierismo valenciano Escuela postjuanesca Cristòfol Llorens Resurrecció Pintura renaixentista valenciana Manierisme valencià Escola postjuanesca Oli sobre taula CONSERVACION Y RESTAURACION DE BIENES CULTURALES (UPV) PINTURA Máster Universitario en Conservación y Restauración de Bienes Culturales-Màster Universitari en Conservació i Restauració de Béns Culturals |
| Sumario: | [EN] Through the present investigation the study of an unpublished work and its possible attribution to the corpus of the painter Cristóbal Llorens, outstanding painter of the workshop of Joan de Joanes is approached. The work, coming from private collection, has recently been auctioned in the art market and it has been from this circumstance that we have had access to study, analysis and restoration with the purpose of verifying its authorship. It is an oil on panel depicting the Resurrection of Christ, auctioned in February 2015 in Subastas Segre, Madrid, as Valencian painting of the seventeenth century, by unknown author. The data obtained in the present study have allowed us to situate the work in the surroundings of the postjuanesca mannerist school or Valencian romanist. Different experts of the matter placed us before the possibility that it was treating itself, from a formalist study, Cristóbal Llorens's work (Bocairent, ca. 1550 - Valencia?, 1622), in view of the similarities that presents the work with so many Resurrections attached to this disciple of Joan de Joanes. In order to support this hypothesis and verify the authorship of the work, a study of graphic sources has been carried out, as well as resources of comparative self-referencing with iconic and representative elements of works by the same author. A sampling has also been carried out to verify the physicochemical components of the panel. At the same time, the restoration of the panel has been carried out, with the purpose of returning a chromatic and formal reading, eliminating layers of sedimentation, dirt and varnish with a high degree of oxidation, thus recovering a luminosity according to the aesthetics of the Valencian Renaissance painting. |
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