Ghosts of Memory
Given the relevance of the ghost in fantastic and speculative fiction, this paper seeks to interrogate the mobilization of the spectral as a main tool for enacting a process of historical revision and for the configuration of an alternative historical memory. Such inquiry will be developed through t...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2024 |
| País: | España |
| Institución: | Universitat Autònoma de Barcelona |
| Repositorio: | Dipòsit Digital de Documents de la UAB |
| Idioma: | inglés |
| OAI Identifier: | oai:ddd.uab.cat:305118 |
| Acceso en línea: | https://ddd.uab.cat/record/305118 https://dx.doi.org/urn:doi:10.5565/rev/brumal.1199 |
| Access Level: | acceso abierto |
| Palabra clave: | Spectrality Memory Neoslave narrative Motherhood Espectralidad Memoria Novelas de esclavitud Maternidad |
| Sumario: | Given the relevance of the ghost in fantastic and speculative fiction, this paper seeks to interrogate the mobilization of the spectral as a main tool for enacting a process of historical revision and for the configuration of an alternative historical memory. Such inquiry will be developed through the analysis of two contemporary neo-slave narratives, Grace (2016) by Natashia Deón and Let Us Descend (2023) by Jesmyn Ward, that illustrate the current shift toward anti-realist representations of historical processes. Adopting the theoretical framework of spectrality studies, this examination will discuss the intersections of the spectral with aspects of gender, maternity and temporality. The multi-layered dimensions of ghosts and the bidirectionality of haunting deployed in these novels redefine the spectral as a subversive space of resistance and a chief literary mechanism to articulate a major socio-political reflection on the condition of Blackness in the United States at present. |
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