Los gozos del cuerpo y el fenómeno del «dulce escalofrío»: una aportación husserliana
[EN] My essay examines the innovative concept of eu-appearance of the body as proposed by the Swedish phenomenologist Kristin Zeiler to describe situations in which embodiment appears as “well, easy, good”. Zeiler was building on Drew Leder’s general proposition that the dominant mode of the body’s...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2025 |
| País: | España |
| Institución: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repositorio: | DIGITAL.CSIC. Repositorio Institucional del CSIC |
| OAI Identifier: | oai:dnet:digitalcsic_::7834791c04b1bb6364fd204da7a25c70 |
| Acceso en línea: | http://hdl.handle.net/10261/429785 |
| Access Level: | acceso abierto |
| Palabra clave: | Eu-appearance Body Inattention Somatic shaking Bodily drenched consciousness Zeiler Husserl Euaparición Cuerpo Desatención Agitación somática Impregnación somatoestésica Philosophy |
| Sumario: | [EN] My essay examines the innovative concept of eu-appearance of the body as proposed by the Swedish phenomenologist Kristin Zeiler to describe situations in which embodiment appears as “well, easy, good”. Zeiler was building on Drew Leder’s general proposition that the dominant mode of the body’s presence in experience is rather its “absence”, the phenomenal transparency that makes it go unnoticed. The article reviews and discusses Zeiler’s typology of those propitious and occasional appearances when embodiment breaks with its usual discretion. But in this context of analysis I propose to turn to the well-known phenomena of the body’s agitation in the midst of aesthetic enthusiasm, of the somatic shuddering due to intense admiration or in the face of happy news. In such situations in which the body should remain unattended, ignored, the “sweet shuddering in the chest” that Husserl submits for consideration in the Studien zur Struktur des Bewusstseins sheds a mysterious light on the – not so discreet – participation of the body in the dynamics of intentional experience |
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