En el infierno sonoro con María Zambrano = In sonorous Hell with María Zambrano
The nexus between different kinds of hell and music in Zambrano lead us to show, firstly, the relationship between music of the soul and sensitive music in her work. Secondly, the text analyzes the sensitive music that Zambrano listens to—her soundscape—and then the sonorous landscape of contemporar...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2015 |
| País: | España |
| Institución: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:10256/15072 |
| Acceso en línea: | http://hdl.handle.net/10256/15072 |
| Access Level: | acceso abierto |
| Palabra clave: | Zambrano, María, 1904-1991 Música -- S. XX Music -- 20th century |
| Sumario: | The nexus between different kinds of hell and music in Zambrano lead us to show, firstly, the relationship between music of the soul and sensitive music in her work. Secondly, the text analyzes the sensitive music that Zambrano listens to—her soundscape—and then the sonorous landscape of contemporary music. Here the figure of Orpheus serves as a guide to interrogate, thirdly, the image of the modern Orpheus and his descent into daily hell. Through this, the work of Stravinsky, Birtwistle, Jerez and Iges allows us to trace a dialogue with the thought of the Malagueña philosopher |
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