La transformación de habilidades (I). Sobre la creatividad en los sistemas técnicos
[EN] The systematic optimization of technical skills still resists an effective practice. Probably because from the instrumentalization to the intuitive experience, we always come across creativity as an indecipherable condition. We propose a first approach to the links between creativity and techni...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2018 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/192288 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/192288 |
| Access Level: | acceso abierto |
| Palabra clave: | Creativity Technique Art Consciousness Creatividad Técnica Arte Conciencia |
| Sumario: | [EN] The systematic optimization of technical skills still resists an effective practice. Probably because from the instrumentalization to the intuitive experience, we always come across creativity as an indecipherable condition. We propose a first approach to the links between creativity and technique in order to achieve an immediate and conscious performance that should be integrated into the vital processes. The concepts dealt with in this respect are the poiesis according to Martin Heidegger, the principle of individuation studied by Carl Gustav Jung and Gilbert Simondon, the meca-mystic view of José Val del Omar and the artistic nature of Konstantin Stanislavski. |
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