Obsolescence, materials and authenticity. The opinion of Cécile Dazord and Marie-Hélène Breuil
The French group INCCA met in Marseilles in February 2014. Through this meeting we had the opportunity to talk with Cecile Dazord and Marie-Hélène Breuil, organizers of the event. Both researchers are involved in the conservation of contemporary art for years. Thanks to its extensive experience we c...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2015 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/85194 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/85194 |
| Access Level: | acceso abierto |
| Palabra clave: | obsolescence authenticity essence contemporary art restoration CONSERVACION Y RESTAURACION DE BIENES CULTURALES (UPV) |
| Sumario: | The French group INCCA met in Marseilles in February 2014. Through this meeting we had the opportunity to talk with Cecile Dazord and Marie-Hélène Breuil, organizers of the event. Both researchers are involved in the conservation of contemporary art for years. Thanks to its extensive experience we could think deeply about some of the most debated issues concerning the conservation of contemporary art. |
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