El dibujo manual como herramienta transversal en la obra de Juan Navarro Baldeweg
[EN] This research refers us from the work to the creative process, which represents the singularity of Navarro’s work. At this point hand-drawing is always present as a creative tool. Bearing in mind that in this kind of artistic activity the hand is involved in the genesis and development of the w...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/79416 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/79416 |
| Access Level: | acceso abierto |
| Palabra clave: | Procesos creativos Herramientas Dibujo Arte Creative process Tools Drawing Art |
| Sumario: | [EN] This research refers us from the work to the creative process, which represents the singularity of Navarro’s work. At this point hand-drawing is always present as a creative tool. Bearing in mind that in this kind of artistic activity the hand is involved in the genesis and development of the work, –and specifically on painting, in its materialization–, it is necessary to evaluate its creative capacity across this process, which leads us to the potential of the hand through hand-drawing. It’s a creative process that distances him from the contemporary artistic activity and establishes continuity between a common personal determination and the specificity of different plastic art disciplines. The process of hand-drawing takes place in a closed-loop: eye-hand-mind –the conscious and the unconscious– and attends unevenly to the creation and production of architecture, painting, artistic works and installations. Hand-drawing explores –rehearses, resolves, anticipates–, expresses –encodes, symbolizes, inhabits– and creates the project by setting its own goals |
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