"Del archivo al concierto": un itinerario para la recuperación teórica y práctica del barroco musical hispánico
[EN] The sound execution today of the “early music”, means a series of “decision-making” by the musician, which determine specifi c itineraries as to adopt or reject (fi nally translating them sound) different possibilities come their way, the researcher and practical musician. The choice therefore,...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2013 |
| País: | España |
| Institución: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repositorio: | DIGITAL.CSIC. Repositorio Institucional del CSIC |
| OAI Identifier: | oai:digital.csic.es:10261/90478 |
| Acceso en línea: | http://hdl.handle.net/10261/90478 |
| Access Level: | acceso abierto |
| Palabra clave: | Proceso de la investigación musical Puesta en práctica de la música antigua Interpretación musical históricamente informada Recuperación del patrimonio musical Música y Musicología Musical research process Implementation of early music Historically informed musical performance Musical heritage recovery Music and Musicology |
| Sumario: | [EN] The sound execution today of the “early music”, means a series of “decision-making” by the musician, which determine specifi c itineraries as to adopt or reject (fi nally translating them sound) different possibilities come their way, the researcher and practical musician. The choice therefore, one way or another, determine the type of fi nal interpretation, closer to documentary sources, or more free from external constraints (more “artistic”), or even multiple other types of “tradeoffs”, halfway between the positions more “historicist” and those other supposedly less scientifi c, because of more distant from the original sources. This study aims to approach the problems of long and complex process of “rescue” sound of any “new” historic music (here consciously limited the scope Hispanic seventeenth and eighteenth centuries), from locating manuscripts documentary fi les, transcription, study and subsequent critical edition by the musicologist, to its implementation by the musician through his public interpretation in concert. |
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