Nuevas estrategias para la visualización y difusión del patrimonio descontextualizado. El caso de la sillería de la catedral de Oviedo
[EN] Starting from the case of the choirstalls in the Oviedo Cathedral, that were dismantled and partially rebuilt in the chapterhouse of the same building, this article describes the process of virtual reconstruction and subsequent interactive visualization of the original set in its context. To do...
| Autores: | , , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2022 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/182901 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/182901 |
| Access Level: | acceso abierto |
| Palabra clave: | Photogrammetry Gothic Art 3D models Virtual reality Cultural heritage Fotogrametría Arte gótico Realidad Virtual Modelos 3D Patrimonio descontextulizado |
| Sumario: | [EN] Starting from the case of the choirstalls in the Oviedo Cathedral, that were dismantled and partially rebuilt in the chapterhouse of the same building, this article describes the process of virtual reconstruction and subsequent interactive visualization of the original set in its context. To do that, equirectangular images of the current building are geometrically integrated with the virtual model of the stalls completely rebuilt from the photogrammetric survey of part of it, still preserved. The technique allows to combine real and virtual images in a hyper-realistic, interactive, and immersive way. It offers the viewer a mixed virtual tour of the cathedral central nave that incorporates the reconstructed virtual model in its originally designed location. The proposed methodology supposes a new visualization strategy that, in an economic, interactive, ubiquitous, and universal way, must allow progress in the dissemination of decontextualized heritage. |
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