Música y logos en la pervivencia del romanticismo. La concepción de la música en Nietzsche y Wagner.
In this article I seek to show how romantic music, taken to its ultimate consequences, denies logos –the word- the place it ought to have. I focus the polemic on the two authors who, in my judgment, have most passionately articulated the dilemma: Nietzsche and Wagner.
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2008 |
| País: | España |
| Institución: | Universidad de Navarra |
| Repositorio: | Dadun. Depósito Académico Digital de la Universidad de Navarra |
| Idioma: | español |
| OAI Identifier: | oai:dadun.unav.edu:10171/3841 |
| Acceso en línea: | https://hdl.handle.net/10171/3841 |
| Access Level: | acceso abierto |
| Palabra clave: | Filosofía Música |
| Sumario: | In this article I seek to show how romantic music, taken to its ultimate consequences, denies logos –the word- the place it ought to have. I focus the polemic on the two authors who, in my judgment, have most passionately articulated the dilemma: Nietzsche and Wagner. |
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