The showrunner’s skills and responsibilities in the creation and production process of fiction series in the contemporary North American television industry
Contemporary fiction TV series production in North America is characterized by the showrunner figure’s importance. This paper aims to study the concept of “showrunner” as executive-creative producer, analyze the competencies and responsibilities carried out by them during the production process of T...
| Autores: | , , |
|---|---|
| Tipo de recurso: | artículo |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Universidad de Navarra |
| Repositorio: | Dadun. Depósito Académico Digital de la Universidad de Navarra |
| Idioma: | inglés |
| OAI Identifier: | oai:dadun.unav.edu:10171/62208 |
| Acceso en línea: | https://hdl.handle.net/10171/62208 |
| Access Level: | acceso abierto |
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The showrunner’s skills and responsibilities in the creation and production process of fiction series in the contemporary North American television industryHigueras-Ruiz, M. J. (María José)|||/items/fab3892c-c2f5-4dc2-9d41-e90adb3e1825Gómez-Pérez, F. J. (Francisco Javier)|||/items/74ed6dd0-cb55-4450-8141-c8a362e6419fAlberich-Pascual, J. (Jordi)|||/items/4215aaf5-4d71-4309-9a92-46d0dac0cedaContemporary fiction TV series production in North America is characterized by the showrunner figure’s importance. This paper aims to study the concept of “showrunner” as executive-creative producer, analyze the competencies and responsibilities carried out by them during the production process of TV shows according to personal and professional factors, and examine their position within the current television market. For this purpose, a literature review on fiction TV series production and television authorship has been conducted. After this, adopting the focus of media production studies, a qualitative methodology based on in-depth personal interviews has been used, which was carried out with a selection of thirty-six significant executive producers and writers of contemporary American TV series. The findings indicate the relevance of this profile from a historical perspective, and particularly in recent years. Although there is a basic scheme of tasks developed by the showrunner in each phase of the production process, we find differences in this actuation due to personal –sex and nationality– and professional –format/gender and channel– characteristics in this industrial context. The showrunner develops an executive-creative dual profile to maintain the project’s coherence according to the established vision. Their influence over the TV series’ creative features contributes to reflection on television authorship and its attribution to this figure.Servicio de Publicaciones de la Universidad de NavarraDadun. Depósito Académico Digital Universidad de Navarra20212021-10-2020212021-01-0120212021-01-01journal articlehttp://purl.org/coar/resource_type/c_6501info:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10171/62208reponame:Dadun. Depósito Académico Digital de la Universidad de Navarrainstname:Universidad de NavarraInglésengopen accesshttp://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccessoai:dadun.unav.edu:10171/622082026-06-21T12:47:57Z |
| dc.title.none.fl_str_mv |
The showrunner’s skills and responsibilities in the creation and production process of fiction series in the contemporary North American television industry |
| title |
The showrunner’s skills and responsibilities in the creation and production process of fiction series in the contemporary North American television industry |
| spellingShingle |
The showrunner’s skills and responsibilities in the creation and production process of fiction series in the contemporary North American television industry Higueras-Ruiz, M. J. (María José)|||/items/fab3892c-c2f5-4dc2-9d41-e90adb3e1825 |
| title_short |
The showrunner’s skills and responsibilities in the creation and production process of fiction series in the contemporary North American television industry |
| title_full |
The showrunner’s skills and responsibilities in the creation and production process of fiction series in the contemporary North American television industry |
| title_fullStr |
The showrunner’s skills and responsibilities in the creation and production process of fiction series in the contemporary North American television industry |
| title_full_unstemmed |
The showrunner’s skills and responsibilities in the creation and production process of fiction series in the contemporary North American television industry |
| title_sort |
The showrunner’s skills and responsibilities in the creation and production process of fiction series in the contemporary North American television industry |
| dc.creator.none.fl_str_mv |
Higueras-Ruiz, M. J. (María José)|||/items/fab3892c-c2f5-4dc2-9d41-e90adb3e1825 Gómez-Pérez, F. J. (Francisco Javier)|||/items/74ed6dd0-cb55-4450-8141-c8a362e6419f Alberich-Pascual, J. (Jordi)|||/items/4215aaf5-4d71-4309-9a92-46d0dac0ceda |
| author |
Higueras-Ruiz, M. J. (María José)|||/items/fab3892c-c2f5-4dc2-9d41-e90adb3e1825 |
| author_facet |
Higueras-Ruiz, M. J. (María José)|||/items/fab3892c-c2f5-4dc2-9d41-e90adb3e1825 Gómez-Pérez, F. J. (Francisco Javier)|||/items/74ed6dd0-cb55-4450-8141-c8a362e6419f Alberich-Pascual, J. (Jordi)|||/items/4215aaf5-4d71-4309-9a92-46d0dac0ceda |
| author_role |
author |
| author2 |
Gómez-Pérez, F. J. (Francisco Javier)|||/items/74ed6dd0-cb55-4450-8141-c8a362e6419f Alberich-Pascual, J. (Jordi)|||/items/4215aaf5-4d71-4309-9a92-46d0dac0ceda |
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author author |
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Dadun. Depósito Académico Digital Universidad de Navarra |
| description |
Contemporary fiction TV series production in North America is characterized by the showrunner figure’s importance. This paper aims to study the concept of “showrunner” as executive-creative producer, analyze the competencies and responsibilities carried out by them during the production process of TV shows according to personal and professional factors, and examine their position within the current television market. For this purpose, a literature review on fiction TV series production and television authorship has been conducted. After this, adopting the focus of media production studies, a qualitative methodology based on in-depth personal interviews has been used, which was carried out with a selection of thirty-six significant executive producers and writers of contemporary American TV series. The findings indicate the relevance of this profile from a historical perspective, and particularly in recent years. Although there is a basic scheme of tasks developed by the showrunner in each phase of the production process, we find differences in this actuation due to personal –sex and nationality– and professional –format/gender and channel– characteristics in this industrial context. The showrunner develops an executive-creative dual profile to maintain the project’s coherence according to the established vision. Their influence over the TV series’ creative features contributes to reflection on television authorship and its attribution to this figure. |
| publishDate |
2021 |
| dc.date.none.fl_str_mv |
2021 2021-10-20 2021 2021-01-01 2021 2021-01-01 |
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journal article http://purl.org/coar/resource_type/c_6501 |
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info:eu-repo/semantics/article |
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article |
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https://hdl.handle.net/10171/62208 |
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https://hdl.handle.net/10171/62208 |
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Inglés eng |
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Inglés |
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eng |
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open access http://purl.org/coar/access_right/c_abf2 |
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info:eu-repo/semantics/openAccess |
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open access http://purl.org/coar/access_right/c_abf2 |
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openAccess |
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application/pdf |
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Servicio de Publicaciones de la Universidad de Navarra |
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Servicio de Publicaciones de la Universidad de Navarra |
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reponame:Dadun. Depósito Académico Digital de la Universidad de Navarra instname:Universidad de Navarra |
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Universidad de Navarra |
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Dadun. Depósito Académico Digital de la Universidad de Navarra |
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Dadun. Depósito Académico Digital de la Universidad de Navarra |
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