La gramática del cuerpo: dolor, placer y maternidad en Sanguínea (Dossier: La novela ecuatoriana; lectura compartida y experiencia de complicidad)
In the novel Sanguínea (2020), Gabriela Ponce, achieves “writing with the body”. She does it through the admission of fluids, especially menstrual blood, as a way to refine meaning and writing. The sexual and erotic also play an important role in finding a particular language that creates a grammar...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Ecuador |
| Recursos: | Universidad Andina Simón Bolivar |
| Repositorio: | Repositorio Universidad Andina Simón Bolivar |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.uasb.edu.ec:10644/8663 |
| Acesso em linha: | http://hdl.handle.net/10644/8663 |
| Access Level: | acceso abierto |
| Palavra-chave: | PONCE PADILLA, GABRIELA, 1977- NOVELA ECUATORIANA MUJERES MATERNIDAD CRÍTICA LITERARIA ECUADORIAN NOVEL |
| Resumo: | In the novel Sanguínea (2020), Gabriela Ponce, achieves “writing with the body”. She does it through the admission of fluids, especially menstrual blood, as a way to refine meaning and writing. The sexual and erotic also play an important role in finding a particular language that creates a grammar of the body. Motherhood is another element that allows us to think of corporeality as a form of language and at the same time as a configuration of space. The body is a space in itself in this novel, where the narration starts from a flow of consciousness of the protagonist. |
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