Working the fragment, being the ruin. Reading of a triptych in Antropofaguitas, by Gabriela Ponce Padilla
The aesthetics of the fragmentary is the main characteristic of the story “Black Box” (from the book Antropofaguitas, 2013), by Gabriela Ponce Padilla. It is a narration composed of three stories that tell the lives of three Ecuadorian women in different historical and social circumstances. The blac...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Ecuador |
| Recursos: | Universidad Andina Simón Bolivar |
| Repositorio: | Revista Andina de Letras y Estudios Culturales |
| Idioma: | español |
| OAI Identifier: | oai:revistas.uasb.edu.ec:article/1038 |
| Acesso em linha: | https://revistas.uasb.edu.ec/index.php/kipus/article/view/1038 |
| Access Level: | acceso abierto |
| Palavra-chave: | Fragmento ruina tríptico mujer violencia patriarcal violencia estatal narrativa ecuatoriana Gabriela Ponce Padilla Fragment story Ecuador riun triptych woman violence patriarchal state violence |
| Resumo: | The aesthetics of the fragmentary is the main characteristic of the story “Black Box” (from the book Antropofaguitas, 2013), by Gabriela Ponce Padilla. It is a narration composed of three stories that tell the lives of three Ecuadorian women in different historical and social circumstances. The black box is the device that puts together the three stories that, in terms of form, replicate the writings, testimonies and dialogues that allow reconstructing the last moments for the protagonists’ lives. The reflection upon ruin (together with the thought of María Zambrano, Walter Benjamin and others) allows us to understand the forms of resistance from which the stories of Ponce Padilla arise. |
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