El entenao, de Alfredo Pareja Diezcanseco, y la afirmación de la cultura montuvia como componente integral de lo nacional
The author studies the poem that Alfredo Pareja wrote in 1935, El entena o, within the literary and social project of the Guayaquil Group, as it presents the values of the montuvio and show him as a victim of a justice system that rewards usurpation and abuse of power (the stepson is a person indete...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2008 |
| País: | Ecuador |
| Institución: | Universidad Andina Simón Bolivar |
| Repositorio: | Revista Andina de Letras y Estudios Culturales |
| Idioma: | español |
| OAI Identifier: | oai:revistas.uasb.edu.ec:article/733 |
| Acceso en línea: | https://revistas.uasb.edu.ec/index.php/kipus/article/view/733 |
| Access Level: | acceso abierto |
| Palabra clave: | Estudios culturales cultura montuvia Grupo de Guayaquil Los que se van identidad nacionalidad multiculturalidad Cultural Studies Montuvian Culture Guayaquil Group Los que se van (Those Who Go) national idenity multiculturalism |
| Sumario: | The author studies the poem that Alfredo Pareja wrote in 1935, El entena o, within the literary and social project of the Guayaquil Group, as it presents the values of the montuvio and show him as a victim of a justice system that rewards usurpation and abuse of power (the stepson is a person indeterminate parentage, which symbolizes the abandonment and disdain with which the montuvio is seen). The Group's project, despite the investigative efforts-which included an archeological viewpoint-, which is later stuck in «folklore» for decades. This gives a bit of sen se to the work's publication in 1988, when the nation redefined what was national'- this time embracing multiculturalism-; its publication coincides and contributes to the integration 01 montuvio culture on the national scene. |
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