Perturbando certezas: exilio, cuerpo y ficción en la obra de Margarita García Robayo (Dossier: Producir presente: tocar el cuerpo, escritura, mujeres, paisajes, afectos. Narrativa contemporánea de escritoras en América Latina)
The works of Margarita García Robayo (Cartagena de Indias, 1980) are characterized by a crude and ironic tone. To that extent, it seems the author has the intention of bringing the socially established into crisis by means of certain uncomfortable and disconcerting body images that reject society’s...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Ecuador |
| Institución: | Universidad Andina Simón Bolivar |
| Repositorio: | Repositorio Universidad Andina Simón Bolivar |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.uasb.edu.ec:10644/6790 |
| Acceso en línea: | http://hdl.handle.net/10644/6790 |
| Access Level: | acceso abierto |
| Palabra clave: | GARCÍA ROBAYO, MARGARITA, 1980- LITERATURA COLOMBIANA MUJERES EN LA LITERATURA EXILIO CRÍTICA LITERARIA AUTORAS LATINOAMERICANAS |
| Sumario: | The works of Margarita García Robayo (Cartagena de Indias, 1980) are characterized by a crude and ironic tone. To that extent, it seems the author has the intention of bringing the socially established into crisis by means of certain uncomfortable and disconcerting body images that reject society’s invariability condition. This essay proposes a reading of three of the author’s works, considering a dynamic and changing overlay between homeland and exile, body images that inhabit them, and a writing that can sometimes be self-referential, revealing her relationship with the body and, therefore, with memory. |
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