La muerte me da (2007), de Cristina Rivera Garza. Cuerpos desmembrados y de(s)generamiento o instrucciones para leer una novela (Dossier: Producir presente: tocar el cuerpo, escritura, mujeres, paisajes, afectos. Narrativa contemporánea de escritoras en América Latina)
La muerte me da (2007), by Cristina Rivera Garza, is a fragmentary novel composed of various members and sections that appear, severed from each other, starting with the title, and that continue to be scattered throughout the text. Such members manifest two tendencies. The first one corresponds to s...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Ecuador |
| Institución: | Universidad Andina Simón Bolivar |
| Repositorio: | Repositorio Universidad Andina Simón Bolivar |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.uasb.edu.ec:10644/6789 |
| Acceso en línea: | http://hdl.handle.net/10644/6789 |
| Access Level: | acceso abierto |
| Palabra clave: | NOVELA MEXICANA MODERNISMO (LITERATURA) RIVERA GARZA, CRISTINA, 1964- CRÍTICA LITERARIA AUTORAS LATINOAMERICANAS |
| Sumario: | La muerte me da (2007), by Cristina Rivera Garza, is a fragmentary novel composed of various members and sections that appear, severed from each other, starting with the title, and that continue to be scattered throughout the text. Such members manifest two tendencies. The first one corresponds to sentence fragmentation, which becomes word fragmentation, as well as fragmentation of the body within/of the novel. The second one corresponds to citationist aesthetics and dis-appropiation, resulting in degen(d)eration. This article intends to look within this slashed body in order to read the the displacement of the trans-textual into the de-textual, wich refers to the opening of meaning, denial, reversal of significance, deprivation, affirmation and excess. |
|---|