Misticismo patriótico en el arte republicano: Mariana de Jesús a través de la mirada de Víctor Mideros (1913-1926) [Debates]
On the basis of paintings of the seventeenth-century saint Mariana de Jesús by the artist Víctor Mideros in the first decades of the twentieth century, the article explores the representation of religious ideals in a modern society. By analyzing these painting, as well as a pamphlet written by Archb...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Ecuador |
| Institución: | Universidad Andina Simón Bolivar |
| Repositorio: | Repositorio Universidad Andina Simón Bolivar |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.uasb.edu.ec:10644/8096 |
| Acceso en línea: | http://hdl.handle.net/10644/8096 |
| Access Level: | acceso abierto |
| Palabra clave: | MARIANA DE JESÚS, SANTA, 1618-1645 MIDEROS ALMEIDA, VÍCTOR, 1988-1967 ARTE CRISTIANO HISTORIA DEL ARTE ECUATORIANO SECULARIZACIÓN ESCUELA DE BELLAS ARTES VANGUARDISMO (ESTÉTICA) ART HISTORY |
| Sumario: | On the basis of paintings of the seventeenth-century saint Mariana de Jesús by the artist Víctor Mideros in the first decades of the twentieth century, the article explores the representation of religious ideals in a modern society. By analyzing these painting, as well as a pamphlet written by Archbishop Manuel María Pólit with observations on the work, a dialogue is established between the new artistic conception of the saint from Quito and the Church’s construction of its narrative about her. It also examines how Mideros broke away from colonial representations of Mariana de Jesús in the context of a renewed “millenialism” which exerted an impact on painting in the early twentieth century. |
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