Popular Music, Interculturality and Representations of the Mexican in Netflix’s Sense8

Netflix’s audiovisual library appears to be a fundamental social inclusion, a definitive interculturality; therefore, what refers to the representations of collectives continues to be of academic interest, especially in a country with a strong tradition of television consumption such as Mexico. Base...

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Authors: Garzón Martínez, María Teresa, de La Cruz López Moya, Martín
Format: article
Status:Published version
Publication Date:2022
Country:Ecuador
Institution:Universidad Andina Simón Bolivar
Repository:Revista de Comunicación y Cultura
Language:Spanish
OAI Identifier:oai:revistas.uasb.edu.ec:article/3592
Online Access:https://revistas.uasb.edu.ec/index.php/uru/article/view/3592
Access Level:Open access
Keyword:Música popular
nación
representación
México
interculturalidad
Netflix
Popular music
nation
representation
interculturality
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spelling Popular Music, Interculturality and Representations of the Mexican in Netflix’s Sense8Música popular, interculturalidad y representaciones de lo mexicano en Sense8, de NetflixGarzón Martínez, María Teresade La Cruz López Moya, MartínMúsica popularnaciónrepresentaciónMéxicointerculturalidadNetflixPopular musicnationrepresentationMéxicointerculturalityNetflixNetflix’s audiovisual library appears to be a fundamental social inclusion, a definitive interculturality; therefore, what refers to the representations of collectives continues to be of academic interest, especially in a country with a strong tradition of television consumption such as Mexico. Based on cultural studies and content analysis, here we are interested in formulating a reading of the cultural representations of the “Mexican”, in the key of the nation, which aim to build imaginaries of interculturality in the coordinates of narrative universes where there is a struggle for a re-definition of the human. In particular, the universe of Sense8 and the bolero is worked on: “Perfidia”, since it functions as a local signifier in a world where the limits of the national are broken by the effects of human “evolution”, but where it “Global” continues to maintain the geopolitical differences between North and South. Thus, a critical reading is proposed that speaks of the politics of representations in the context of the hyperproduction of narrative differences and bets for “inclusion” in Netflix.La biblioteca audiovisual de Netflix aparenta una inclusión social fundamental, una interculturalidad definitiva; por ello, lo referente a las representaciones de los colectivos sigue siendo de interés académico y más en un país de fuerte tradición en el consumo de la televisión, como México. Partiendo de los estudios culturales y del análisis de contenido, aquí nos interesa formular una lectura a propósito de las representaciones culturales de lo “mexicano”, en clave de nación, que apuestan a construir imaginarios de interculturalidad en las coordenadas de universos narrativos donde se pugna por una redefinición de lo humano. En particular, se trabaja el universo de la serie Sense8 y, en él, el bolero “Perfidia”, que funge como significante local en un mundo donde los límites de lo nacional se rompen por efectos de la “evolución” humana, pero donde lo “global” sigue manteniendo las diferencias geopolíticas entre el Norte y el Sur. Así, se propone una lectura crítica que habla de la política de las representaciones en el contexto de la hiperproducción de diferencias narrativas y apuestas por la “inclusión” en Netflix.Universidad Andina Simón Bolívar, Sede Ecuador2022-08-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.uasb.edu.ec/index.php/uru/article/view/359210.32719/26312514.2022.6.3Uru: Revista de Comunicación y Cultura; No. 6 (2022): Streaming, Seriality and Diversity; 39-49Uru: Revista de Comunicación y Cultura; Núm. 6 (2022): El streaming, serialidad y diversidad; 39-492631-2514reponame:Revista de Comunicación y Culturainstname:Universidad Andina Simón Bolivarinstacron:UASBspahttps://revistas.uasb.edu.ec/index.php/uru/article/view/3592/3586https://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccess2023-09-05T17:14:23Zoai:revistas.uasb.edu.ec:article/3592Portal de revistashttps://revistas.uasb.edu.ec/index.php/uruInstitución privadahttp://www.uasb.edu.ec/https://revistas.uasb.edu.ec/index.php/uru/oaiEcuador2631-25142631-2514opendoar:02023-09-05T17:14:23falsePortal de revistashttps://revistas.uasb.edu.ec/index.php/uruInstitución privadahttp://www.uasb.edu.ec/https://revistas.uasb.edu.ec/index.php/uru/oaiEcuador2631-25142631-2514opendoar:02023-09-05T17:14:23Revista de Comunicación y Cultura - Universidad Andina Simón Bolivarfalse
dc.title.none.fl_str_mv Popular Music, Interculturality and Representations of the Mexican in Netflix’s Sense8
Música popular, interculturalidad y representaciones de lo mexicano en Sense8, de Netflix
title Popular Music, Interculturality and Representations of the Mexican in Netflix’s Sense8
spellingShingle Popular Music, Interculturality and Representations of the Mexican in Netflix’s Sense8
Garzón Martínez, María Teresa
Música popular
nación
representación
México
interculturalidad
Netflix
Popular music
nation
representation
México
interculturality
Netflix
title_short Popular Music, Interculturality and Representations of the Mexican in Netflix’s Sense8
title_full Popular Music, Interculturality and Representations of the Mexican in Netflix’s Sense8
title_fullStr Popular Music, Interculturality and Representations of the Mexican in Netflix’s Sense8
title_full_unstemmed Popular Music, Interculturality and Representations of the Mexican in Netflix’s Sense8
title_sort Popular Music, Interculturality and Representations of the Mexican in Netflix’s Sense8
dc.creator.none.fl_str_mv Garzón Martínez, María Teresa
de La Cruz López Moya, Martín
author Garzón Martínez, María Teresa
author_facet Garzón Martínez, María Teresa
de La Cruz López Moya, Martín
author_role author
author2 de La Cruz López Moya, Martín
author2_role author
dc.subject.none.fl_str_mv Música popular
nación
representación
México
interculturalidad
Netflix
Popular music
nation
representation
México
interculturality
Netflix
topic Música popular
nación
representación
México
interculturalidad
Netflix
Popular music
nation
representation
México
interculturality
Netflix
description Netflix’s audiovisual library appears to be a fundamental social inclusion, a definitive interculturality; therefore, what refers to the representations of collectives continues to be of academic interest, especially in a country with a strong tradition of television consumption such as Mexico. Based on cultural studies and content analysis, here we are interested in formulating a reading of the cultural representations of the “Mexican”, in the key of the nation, which aim to build imaginaries of interculturality in the coordinates of narrative universes where there is a struggle for a re-definition of the human. In particular, the universe of Sense8 and the bolero is worked on: “Perfidia”, since it functions as a local signifier in a world where the limits of the national are broken by the effects of human “evolution”, but where it “Global” continues to maintain the geopolitical differences between North and South. Thus, a critical reading is proposed that speaks of the politics of representations in the context of the hyperproduction of narrative differences and bets for “inclusion” in Netflix.
publishDate 2022
dc.date.none.fl_str_mv 2022-08-08
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.uasb.edu.ec/index.php/uru/article/view/3592
10.32719/26312514.2022.6.3
url https://revistas.uasb.edu.ec/index.php/uru/article/view/3592
identifier_str_mv 10.32719/26312514.2022.6.3
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uasb.edu.ec/index.php/uru/article/view/3592/3586
dc.rights.none.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidad Andina Simón Bolívar, Sede Ecuador
publisher.none.fl_str_mv Universidad Andina Simón Bolívar, Sede Ecuador
dc.source.none.fl_str_mv Uru: Revista de Comunicación y Cultura; No. 6 (2022): Streaming, Seriality and Diversity; 39-49
Uru: Revista de Comunicación y Cultura; Núm. 6 (2022): El streaming, serialidad y diversidad; 39-49
2631-2514
reponame:Revista de Comunicación y Cultura
instname:Universidad Andina Simón Bolivar
instacron:UASB
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instacron_str UASB
institution UASB
reponame_str Revista de Comunicación y Cultura
collection Revista de Comunicación y Cultura
repository.name.fl_str_mv Revista de Comunicación y Cultura - Universidad Andina Simón Bolivar
repository.mail.fl_str_mv
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