Popular Music, Interculturality and Representations of the Mexican in Netflix’s Sense8
Netflix’s audiovisual library appears to be a fundamental social inclusion, a definitive interculturality; therefore, what refers to the representations of collectives continues to be of academic interest, especially in a country with a strong tradition of television consumption such as Mexico. Base...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Ecuador |
| Institución: | Universidad Andina Simón Bolivar |
| Repositorio: | Revista de Comunicación y Cultura |
| Idioma: | español |
| OAI Identifier: | oai:revistas.uasb.edu.ec:article/3592 |
| Acceso en línea: | https://revistas.uasb.edu.ec/index.php/uru/article/view/3592 |
| Access Level: | acceso abierto |
| Palabra clave: | Música popular nación representación México interculturalidad Netflix Popular music nation representation interculturality |
| Sumario: | Netflix’s audiovisual library appears to be a fundamental social inclusion, a definitive interculturality; therefore, what refers to the representations of collectives continues to be of academic interest, especially in a country with a strong tradition of television consumption such as Mexico. Based on cultural studies and content analysis, here we are interested in formulating a reading of the cultural representations of the “Mexican”, in the key of the nation, which aim to build imaginaries of interculturality in the coordinates of narrative universes where there is a struggle for a re-definition of the human. In particular, the universe of Sense8 and the bolero is worked on: “Perfidia”, since it functions as a local signifier in a world where the limits of the national are broken by the effects of human “evolution”, but where it “Global” continues to maintain the geopolitical differences between North and South. Thus, a critical reading is proposed that speaks of the politics of representations in the context of the hyperproduction of narrative differences and bets for “inclusion” in Netflix. |
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