Pregonero’s Word. Icaza as Reviser of Icaza: The Parenthesis as a Folding Operation and Space of Pleasure in Huasipungo

In this paper, a reading of the use of parenthesis in Huasipungo, from Jorge Icaza, is made, realizing that its number increase in the different versions of the book —the first version, from 1934, and the definitive version, from 1960, are here compared—. The proposal of this paper consists of think...

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Detalhes bibliográficos
Autor: Gomezjurado Quezada, Guillermo
Formato: artículo
Estado:Versión publicada
Fecha de publicación:2022
País:Ecuador
Recursos:Universidad Andina Simón Bolivar
Repositorio:Revista Andina de Letras y Estudios Culturales
Idioma:español
OAI Identifier:oai:revistas.uasb.edu.ec:article/3260
Acesso em linha:https://revistas.uasb.edu.ec/index.php/kipus/article/view/3260
Access Level:acceso abierto
Palavra-chave:Ecuador
Huasipungo
Jorge Icaza
pliegue
uso del paréntesis
recurso descriptivo
novela
folding
usage of parenthesis
descriptive resource
Ecuadorian nove
id EC_8d3e0c1a3daa9a809c19916792ed295d
oai_identifier_str oai:revistas.uasb.edu.ec:article/3260
network_acronym_str EC
network_name_str Ecuador
repository_id_str
spelling Pregonero’s Word. Icaza as Reviser of Icaza: The Parenthesis as a Folding Operation and Space of Pleasure in HuasipungoPalabra de Pregonero. Icaza revisor de Icaza: el paréntesis como operación de plegado y espacio de gozo en HuasipungoGomezjurado Quezada, GuillermoEcuadorHuasipungoJorge Icazapliegueuso del paréntesisrecurso descriptivonovelaEcuadorHuasipungoJorge Icazafoldingusage of parenthesisdescriptive resourceEcuadorian noveIn this paper, a reading of the use of parenthesis in Huasipungo, from Jorge Icaza, is made, realizing that its number increase in the different versions of the book —the first version, from 1934, and the definitive version, from 1960, are here compared—. The proposal of this paper consists of thinking on the parenthesis as a folding operation. With this choice, “a style continuously cut by parenthesis that puts the brakes on the progress of the story” as was framed by Manuel Corrales, is no longer appreciated. On the other hand, the novel is seen as a tumultuous narrative that incorporates and wraps joyful elements to the story. Also, the parenthesis used by Icaza is identified as a resource for displaying sardonic phrases which are used for defining some of his characters.En este trabajo se realiza una lectura del uso del paréntesis en Huasipungo de Jorge Icaza, notando que su número incrementa en sus diferentes versiones —aquí se comparan la primera, de 1934, y la definitiva de 1960—. La propuesta consiste en pensar al paréntesis como una operación de plegado. Con esta elección, se deja de apreciar en Huasipungo “un estilo continuamente flagelado por paréntesis que frenan en seco la marcha del relato”, como lo formulaba Manuel Corrales, y se opta por ver la novela como una narración tumultuosa que incorpora y envuelve elementos gozosos al relato. También se identifica en el paréntesis un recurso utilizado por Icaza para desplegar frases guasonas con las que caracterizar a algunos personajes.Universidad Andina Simón Bolívar, Sede Ecuador2022-03-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://revistas.uasb.edu.ec/index.php/kipus/article/view/326010.32719/13900102.2022.51.3Kipus: Revista Andina de Letras y Estudios Culturales; No. 51 (2022): THE ECUADORIAN NOVEL. Experience of Complicity; 45-66Kipus: Revista Andina de Letras y Estudios Culturales; Núm. 51 (2022): LA NOVELA ECUATORIANA. Experiencia de complicidad; 45-662600-57511390-0102reponame:Revista Andina de Letras y Estudios Culturalesinstname:Universidad Andina Simón Bolivarinstacron:UASBspahttps://revistas.uasb.edu.ec/index.php/kipus/article/view/3260/2910https://revistas.uasb.edu.ec/index.php/kipus/article/view/3260/3964https://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccess2023-04-21T23:12:57Zoai:revistas.uasb.edu.ec:article/3260Portal de revistashttps://revistas.uasb.edu.ec/index.php/kipusInstitución privadahttp://www.uasb.edu.ec/https://revistas.uasb.edu.ec/index.php/kipus/oaiEcuador2600-57511390-0102opendoar:02023-04-21T23:12:57falsePortal de revistashttps://revistas.uasb.edu.ec/index.php/kipusInstitución privadahttp://www.uasb.edu.ec/https://revistas.uasb.edu.ec/index.php/kipus/oaiEcuador2600-57511390-0102opendoar:02023-04-21T23:12:57Revista Andina de Letras y Estudios Culturales - Universidad Andina Simón Bolivarfalse
dc.title.none.fl_str_mv Pregonero’s Word. Icaza as Reviser of Icaza: The Parenthesis as a Folding Operation and Space of Pleasure in Huasipungo
Palabra de Pregonero. Icaza revisor de Icaza: el paréntesis como operación de plegado y espacio de gozo en Huasipungo
title Pregonero’s Word. Icaza as Reviser of Icaza: The Parenthesis as a Folding Operation and Space of Pleasure in Huasipungo
spellingShingle Pregonero’s Word. Icaza as Reviser of Icaza: The Parenthesis as a Folding Operation and Space of Pleasure in Huasipungo
Gomezjurado Quezada, Guillermo
Ecuador
Huasipungo
Jorge Icaza
pliegue
uso del paréntesis
recurso descriptivo
novela
Ecuador
Huasipungo
Jorge Icaza
folding
usage of parenthesis
descriptive resource
Ecuadorian nove
title_short Pregonero’s Word. Icaza as Reviser of Icaza: The Parenthesis as a Folding Operation and Space of Pleasure in Huasipungo
title_full Pregonero’s Word. Icaza as Reviser of Icaza: The Parenthesis as a Folding Operation and Space of Pleasure in Huasipungo
title_fullStr Pregonero’s Word. Icaza as Reviser of Icaza: The Parenthesis as a Folding Operation and Space of Pleasure in Huasipungo
title_full_unstemmed Pregonero’s Word. Icaza as Reviser of Icaza: The Parenthesis as a Folding Operation and Space of Pleasure in Huasipungo
title_sort Pregonero’s Word. Icaza as Reviser of Icaza: The Parenthesis as a Folding Operation and Space of Pleasure in Huasipungo
dc.creator.none.fl_str_mv Gomezjurado Quezada, Guillermo
author Gomezjurado Quezada, Guillermo
author_facet Gomezjurado Quezada, Guillermo
author_role author
dc.subject.none.fl_str_mv Ecuador
Huasipungo
Jorge Icaza
pliegue
uso del paréntesis
recurso descriptivo
novela
Ecuador
Huasipungo
Jorge Icaza
folding
usage of parenthesis
descriptive resource
Ecuadorian nove
topic Ecuador
Huasipungo
Jorge Icaza
pliegue
uso del paréntesis
recurso descriptivo
novela
Ecuador
Huasipungo
Jorge Icaza
folding
usage of parenthesis
descriptive resource
Ecuadorian nove
description In this paper, a reading of the use of parenthesis in Huasipungo, from Jorge Icaza, is made, realizing that its number increase in the different versions of the book —the first version, from 1934, and the definitive version, from 1960, are here compared—. The proposal of this paper consists of thinking on the parenthesis as a folding operation. With this choice, “a style continuously cut by parenthesis that puts the brakes on the progress of the story” as was framed by Manuel Corrales, is no longer appreciated. On the other hand, the novel is seen as a tumultuous narrative that incorporates and wraps joyful elements to the story. Also, the parenthesis used by Icaza is identified as a resource for displaying sardonic phrases which are used for defining some of his characters.
publishDate 2022
dc.date.none.fl_str_mv 2022-03-10
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.uasb.edu.ec/index.php/kipus/article/view/3260
10.32719/13900102.2022.51.3
url https://revistas.uasb.edu.ec/index.php/kipus/article/view/3260
identifier_str_mv 10.32719/13900102.2022.51.3
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uasb.edu.ec/index.php/kipus/article/view/3260/2910
https://revistas.uasb.edu.ec/index.php/kipus/article/view/3260/3964
dc.rights.none.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv Universidad Andina Simón Bolívar, Sede Ecuador
publisher.none.fl_str_mv Universidad Andina Simón Bolívar, Sede Ecuador
dc.source.none.fl_str_mv Kipus: Revista Andina de Letras y Estudios Culturales; No. 51 (2022): THE ECUADORIAN NOVEL. Experience of Complicity; 45-66
Kipus: Revista Andina de Letras y Estudios Culturales; Núm. 51 (2022): LA NOVELA ECUATORIANA. Experiencia de complicidad; 45-66
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institution UASB
reponame_str Revista Andina de Letras y Estudios Culturales
collection Revista Andina de Letras y Estudios Culturales
repository.name.fl_str_mv Revista Andina de Letras y Estudios Culturales - Universidad Andina Simón Bolivar
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