The sound imitation of some national instruments in piano music

The article reveals the textural, timbre-dynamic, harmonic, performing and other musical means of imitating the sound of national instruments in piano music. Based on the analysis of literature and works by M. Mussorgsky, S. Rachmaninov, F. Liszt, Wang Jiangzhong, Zhu Wanhua, A. Rudenko, R. Kasimov...

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Autor: V. Karkina, Svetlana
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2018
País:Ecuador
Institución:Universidad San Gregorio de Portoviejo
Repositorio:Revista Universidad San Gregorio de Portoviejo
Idioma:inglés
OAI Identifier:oai:ojs.revista.sangregorio.edu.ec:article/808
Acceso en línea:http://201.159.222.49/index.php/REVISTASANGREGORIO/article/view/808
Access Level:acceso abierto
Palabra clave:piano music, composers, national instruments, onomatopoeia, texture, timbre
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spelling The sound imitation of some national instruments in piano musicV. Karkina, Svetlanapiano music, composers, national instruments, onomatopoeia, texture, timbreThe article reveals the textural, timbre-dynamic, harmonic, performing and other musical means of imitating the sound of national instruments in piano music. Based on the analysis of literature and works by M. Mussorgsky, S. Rachmaninov, F. Liszt, Wang Jiangzhong, Zhu Wanhua, A. Rudenko, R. Kasimov and other composers, summarizing the performing and pedagogical experience of studying piano works shows the means of implementing various instruments to groups of idiophones, membranophones, chordophones and aerophones according to the instrumental classification of Hornbostel-Sachs. The article shows that onomatopoeia is based not only on the sound image of the primary source instrument, but also on recreating the playing techniques of playing it. At the same time, the traditions of academic art, the achievements of European pianism and the sound capabilities of the piano are actualized. Imitation of the sound of the bell, one of the idiophones, occupies an important place in foreign and domestic music. In the works of Russian composers, various types of Orthodox bells ring out, such as Blagovest, Perebor, Perezvon, and Trezvon. In the works of Chinese composers, the sounds of ancient bianzhong ceremonial bells are displayed. The imitation of a bell is based on the reproduction of its timbre-acoustic characteristics, rich in overtones of a booming sound, long and smoothly dying out, accompanied by other harmonies or figurations, pedalization of the piano. The imitation of string-stringed chordophones is notable for its expressiveness, melodic expressiveness, improvisation, and rich ornamentation. Piano playback of plucked chordophones of the zither type is based on the use of arpeggiated figures, pizzicato, vibrato, glissando, etc. wind themes are distinguished by an abundance of melisms (trillare, acciaccatura, glissando, repetitio). The imitation of membranophones is carried out by ostinate rhythmic formulas, specific timbres. Imitation of instruments on the piano reveals the rich timbre and coloristic potential of the piano, creates a special national flavor of the work, reflects the originality of ethnic musical traditions and the originality of their artistic representation.Universidad San Gregorio de Portoviejo2018-12-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículo evaluado por paresapplication/pdfhttp://201.159.222.49/index.php/REVISTASANGREGORIO/article/view/80810.36097/rsan.v1i27.808Revista San Gregorio; Núm. 27 (2018): Revista San Gregorio. SPECIAL EDITION-DECEMBER 20182528-79071390-724710.36097/rsan.v1i27reponame:Revista Universidad San Gregorio de Portoviejoinstname:Universidad San Gregorio de Portoviejoinstacron:USGPenghttp://201.159.222.49/index.php/REVISTASANGREGORIO/article/view/808/1-SVET10.36097/rsan.v1i27.808.g412Copyright (c) 2018 Revista San Gregoriohttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccess2019-08-27T16:15:42Zoai:ojs.revista.sangregorio.edu.ec:article/808Portal de revistashttps://revista.sangregorio.edu.ec/Universidad privadahttps://sangregorio.edu.ec/..Ecuador.2528-79071390-7247opendoar:02026-02-22T09:03:04.360030Revista Universidad San Gregorio de Portoviejo - Universidad San Gregorio de Portoviejotrue
dc.title.none.fl_str_mv The sound imitation of some national instruments in piano music
title The sound imitation of some national instruments in piano music
spellingShingle The sound imitation of some national instruments in piano music
V. Karkina, Svetlana
piano music, composers, national instruments, onomatopoeia, texture, timbre
title_short The sound imitation of some national instruments in piano music
title_full The sound imitation of some national instruments in piano music
title_fullStr The sound imitation of some national instruments in piano music
title_full_unstemmed The sound imitation of some national instruments in piano music
title_sort The sound imitation of some national instruments in piano music
dc.creator.none.fl_str_mv V. Karkina, Svetlana
author V. Karkina, Svetlana
author_facet V. Karkina, Svetlana
author_role author
dc.contributor.none.fl_str_mv
dc.subject.none.fl_str_mv piano music, composers, national instruments, onomatopoeia, texture, timbre
topic piano music, composers, national instruments, onomatopoeia, texture, timbre
description The article reveals the textural, timbre-dynamic, harmonic, performing and other musical means of imitating the sound of national instruments in piano music. Based on the analysis of literature and works by M. Mussorgsky, S. Rachmaninov, F. Liszt, Wang Jiangzhong, Zhu Wanhua, A. Rudenko, R. Kasimov and other composers, summarizing the performing and pedagogical experience of studying piano works shows the means of implementing various instruments to groups of idiophones, membranophones, chordophones and aerophones according to the instrumental classification of Hornbostel-Sachs. The article shows that onomatopoeia is based not only on the sound image of the primary source instrument, but also on recreating the playing techniques of playing it. At the same time, the traditions of academic art, the achievements of European pianism and the sound capabilities of the piano are actualized. Imitation of the sound of the bell, one of the idiophones, occupies an important place in foreign and domestic music. In the works of Russian composers, various types of Orthodox bells ring out, such as Blagovest, Perebor, Perezvon, and Trezvon. In the works of Chinese composers, the sounds of ancient bianzhong ceremonial bells are displayed. The imitation of a bell is based on the reproduction of its timbre-acoustic characteristics, rich in overtones of a booming sound, long and smoothly dying out, accompanied by other harmonies or figurations, pedalization of the piano. The imitation of string-stringed chordophones is notable for its expressiveness, melodic expressiveness, improvisation, and rich ornamentation. Piano playback of plucked chordophones of the zither type is based on the use of arpeggiated figures, pizzicato, vibrato, glissando, etc. wind themes are distinguished by an abundance of melisms (trillare, acciaccatura, glissando, repetitio). The imitation of membranophones is carried out by ostinate rhythmic formulas, specific timbres. Imitation of instruments on the piano reveals the rich timbre and coloristic potential of the piano, creates a special national flavor of the work, reflects the originality of ethnic musical traditions and the originality of their artistic representation.
publishDate 2018
dc.date.none.fl_str_mv 2018-12-28
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artículo evaluado por pares
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://201.159.222.49/index.php/REVISTASANGREGORIO/article/view/808
10.36097/rsan.v1i27.808
url http://201.159.222.49/index.php/REVISTASANGREGORIO/article/view/808
identifier_str_mv 10.36097/rsan.v1i27.808
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv http://201.159.222.49/index.php/REVISTASANGREGORIO/article/view/808/1-SVET
10.36097/rsan.v1i27.808.g412
dc.rights.none.fl_str_mv Copyright (c) 2018 Revista San Gregorio
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista San Gregorio
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.coverage.none.fl_str_mv


dc.publisher.none.fl_str_mv Universidad San Gregorio de Portoviejo
publisher.none.fl_str_mv Universidad San Gregorio de Portoviejo
dc.source.none.fl_str_mv Revista San Gregorio; Núm. 27 (2018): Revista San Gregorio. SPECIAL EDITION-DECEMBER 2018
2528-7907
1390-7247
10.36097/rsan.v1i27
reponame:Revista Universidad San Gregorio de Portoviejo
instname:Universidad San Gregorio de Portoviejo
instacron:USGP
instname_str Universidad San Gregorio de Portoviejo
instacron_str USGP
institution USGP
reponame_str Revista Universidad San Gregorio de Portoviejo
collection Revista Universidad San Gregorio de Portoviejo
repository.name.fl_str_mv Revista Universidad San Gregorio de Portoviejo - Universidad San Gregorio de Portoviejo
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