La razón que nos asiste a los segundos: música, política y estética en los himnos nacionales de América Latina
Apparently, in several Latin American countries the myth exits of the artistic quality of national anthems of each country,even awarding them with a prime spot in an apocryphal ranking headed by the Marseillaise, the French national anthem. From an outline of the modern concept of art, as a unique a...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2015 |
| País: | Ecuador |
| Institución: | Universidad Andina Simón Bolivar |
| Repositorio: | Revista Andina de Letras y Estudios Culturales |
| Idioma: | español |
| OAI Identifier: | oai:revistas.uasb.edu.ec:article/680 |
| Acceso en línea: | https://revistas.uasb.edu.ec/index.php/kipus/article/view/680 |
| Access Level: | acceso abierto |
| Palabra clave: | himnos nacionales en América Latina arte en la modernidad sistemas políticos tópoi La Marsellesa National anthems in Latin America art in modernity political systems topoi Le Marsellaise |
| Sumario: | Apparently, in several Latin American countries the myth exits of the artistic quality of national anthems of each country,even awarding them with a prime spot in an apocryphal ranking headed by the Marseillaise, the French national anthem. From an outline of the modern concept of art, as a unique and unrepeatable expression, confronted with the idea of tópoi, the reason for such a myth and how it works perfectly in the consolidation of our national states and their republican ideal, could be explained. |
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