Photo coverage of the chilean coup d'état in the spanish press, documentary analysis of the editions of the ABC, La vanguardia española and Revista triunfo
This research is based on the design and application of a document analysis file in the photographs used to cover the coup d'état that took place in Chile in 1973. This documentary file was applied to 75 photographs published by the editions of the ABC Madrid and Sevilla, La Vanguardia Española...
| Autor: | |
|---|---|
| Tipo de recurso: | tesis de maestría |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | Chile |
| OAI Identifier: | oai:repositorio.anid.cl:10533/253085 |
| Acceso en línea: | https://hdl.handle.net/10533/253085 |
| Access Level: | acceso abierto |
| Palabra clave: | Humanidades Arte (Artes, Historia del Arte, Artes Escénicas, Música) Otras Especialidades del Arte |
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Photo coverage of the chilean coup d'état in the spanish press, documentary analysis of the editions of the ABC, La vanguardia española and Revista triunfo Cobertura fotográfica del golpe de estado de chile en la prensa española. análisis documental de las ediciones del ABC, La vanguardia española y Revista triunfo. |
| title |
Photo coverage of the chilean coup d'état in the spanish press, documentary analysis of the editions of the ABC, La vanguardia española and Revista triunfo |
| spellingShingle |
Photo coverage of the chilean coup d'état in the spanish press, documentary analysis of the editions of the ABC, La vanguardia española and Revista triunfo Scheel Aliaga, Bárbara Humanidades Arte (Artes, Historia del Arte, Artes Escénicas, Música) Otras Especialidades del Arte |
| title_short |
Photo coverage of the chilean coup d'état in the spanish press, documentary analysis of the editions of the ABC, La vanguardia española and Revista triunfo |
| title_full |
Photo coverage of the chilean coup d'état in the spanish press, documentary analysis of the editions of the ABC, La vanguardia española and Revista triunfo |
| title_fullStr |
Photo coverage of the chilean coup d'état in the spanish press, documentary analysis of the editions of the ABC, La vanguardia española and Revista triunfo |
| title_full_unstemmed |
Photo coverage of the chilean coup d'état in the spanish press, documentary analysis of the editions of the ABC, La vanguardia española and Revista triunfo |
| title_sort |
Photo coverage of the chilean coup d'état in the spanish press, documentary analysis of the editions of the ABC, La vanguardia española and Revista triunfo |
| dc.creator.none.fl_str_mv |
Scheel Aliaga, Bárbara |
| author |
Scheel Aliaga, Bárbara |
| author_facet |
Scheel Aliaga, Bárbara |
| author_role |
author |
| dc.contributor.advisor.none.fl_str_mv |
Salvador-Benítez, Antonia |
| dc.contributor.institution.es_CL.fl_str_mv |
UNIVERSIDAD COMPLUTENSE DE MADRID |
| dc.subject.oecd1n.es_CL.fl_str_mv |
Humanidades |
| topic |
Humanidades Arte (Artes, Historia del Arte, Artes Escénicas, Música) Otras Especialidades del Arte |
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Arte (Artes, Historia del Arte, Artes Escénicas, Música) |
| dc.subject.oecd3n.es_CL.fl_str_mv |
Otras Especialidades del Arte |
| description |
This research is based on the design and application of a document analysis file in the photographs used to cover the coup d'état that took place in Chile in 1973. This documentary file was applied to 75 photographs published by the editions of the ABC Madrid and Sevilla, La Vanguardia Española and Revista Triunfo, during the days 12 to 22 September of the year mentioned. The file used had the objective of clarifying the content, morphology and context of the photographs, together with their interactions with the elements of journalistic design, framed in the production process of press photography, for which documentation concepts were applied, analysis of preference zones and elements of paralinguistic enunciation, complemented by the quantification of the results, which allowed determining the use and function of press photographs through two markedly different visual strategies between the editions of the ABC and the remaining publications. |
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2019 |
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2019 |
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2022-01-03T15:03:05Z 2022-08-23T12:20:40Z |
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2022-01-03T15:03:05Z 2022-08-23T12:20:40Z |
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Tesis Magíster |
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info:eu-repo/semantics/masterThesis |
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73200962 |
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https://hdl.handle.net/10533/253085 |
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UNIVERSIDAD COMPLUTENSE DE MADRIDScheel Aliaga, Bárbara2019https://hdl.handle.net/10533/253085http://purl.org/coar/access_right/c_abf2Otras Especialidades del ArteArte (Artes, Historia del Arte, Artes Escénicas, Música)HumanidadesPhoto coverage of the chilean coup d'état in the spanish press, documentary analysis of the editions of the ABC, La vanguardia española and Revista triunfoSalvador-Benítez, AntoniaUNIVERSIDAD COMPLUTENSE DE MADRIDEspañaScheel Aliaga, Bárbara2022-01-03T15:03:05Z2022-08-23T12:20:40Z2022-01-03T15:03:05Z2022-08-23T12:20:40Z2019This research is based on the design and application of a document analysis file in the photographs used to cover the coup d'état that took place in Chile in 1973. This documentary file was applied to 75 photographs published by the editions of the ABC Madrid and Sevilla, La Vanguardia Española and Revista Triunfo, during the days 12 to 22 September of the year mentioned. The file used had the objective of clarifying the content, morphology and context of the photographs, together with their interactions with the elements of journalistic design, framed in the production process of press photography, for which documentation concepts were applied, analysis of preference zones and elements of paralinguistic enunciation, complemented by the quantification of the results, which allowed determining the use and function of press photographs through two markedly different visual strategies between the editions of the ABC and the remaining publications.Esta investigación se basa en el diseño y aplicación de una ficha de análisis documental en las fotografías utilizadas para la cobertura del golpe de Estado acaecido en Chile el año 1973. Esta ficha documental fue aplicada a 75 fotografías publicadas por las ediciones del ABC Madrid y Sevilla, La Vanguardia Española y la Revista Triunfo, durante los días 12 al 22 de septiembre del año mencionado. La ficha empleada tuvo el objetivo de aclarar el contenido, morfología y contexto de las fotografías, junto con las interacciones de estas con los elementos del diseño periodístico, enmarcados en el proceso de producción de la fotografía de prensa para lo cual se aplicaron concepciones de documentación, análisis de zonas de preferencia y elementos de la enunciación paralingüística, complementadas con la cuantificación de los resultados, que permitieron determinar el uso y función de las fotografías de prensa a través de dos estrategias visuales marcadamente diferentes entre las ediciones del ABC y las restantes publicaciones.73200962https://hdl.handle.net/10533/253085instname: Conicytreponame: Repositorio Digital RI2.0info:eu-repo/grantAgreement//73200082info:eu-repo/semantics/dataset/hdl.handle.net/10533/93488info:eu-repo/semantics/openAccessAttribution-NonCommercial-NoDerivs 3.0 Chilehttp://creativecommons.org/licenses/by-nc-nd/3.0/cl/HumanidadesArte (Artes, Historia del Arte, Artes Escénicas, Música)Otras Especialidades del ArtePhoto coverage of the chilean coup d'état in the spanish press, documentary analysis of the editions of the ABC, La vanguardia española and Revista triunfoCobertura fotográfica del golpe de estado de chile en la prensa española. análisis documental de las ediciones del ABC, La vanguardia española y Revista triunfo.Tesis Magísterinfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/publishedVersionTesisTesishttps://hdl.handle.net/10533/2530856a5548d1-7255-47d8-a541-7d63a5032e21virtual::60628-16a5548d1-7255-47d8-a541-7d63a5032e21virtual::60628-1THUMBNAILTFM Barbara Scheel Aliaga.pdf.jpgIM Thumbnailimage/jpeg4112https://repositorio.anid.cl/bitstreams/d501026a-a586-4931-9122-ea08843503a5/download8454a6d4740fe741b1bdd842ddc9012aMD51TEXTTFM Barbara Scheel Aliaga.pdf.txtExtracted texttext/plain339217https://repositorio.anid.cl/bitstreams/be192e8d-d4ad-4740-972e-3ba502645acc/download0caab0ec9de05fa72d641f62704fee5aMD52CC-LICENSElicense_rdfapplication/octet-stream1232https://repositorio.anid.cl/bitstreams/7841d61d-549f-4c4c-8829-8de4c59ce44f/downloadf97bcfdf58f3e17b5cec231112dab5b1MD53LICENSElicense.txttext/plain1779https://repositorio.anid.cl/bitstreams/144d55dd-68f0-4de1-b742-4ae1452e7374/download593a6e7305c66c56041a9f9e15a649c1MD54ORIGINALTFM Barbara Scheel Aliaga.pdfTrabajo Final de Master Universitario en Patrimonio Audiovisual Universidad Complutense de Madrid. Barbara Beatriz Scheel Aliagaapplication/pdf11568195https://repositorio.anid.cl/bitstreams/f25868ce-2692-4b30-8f25-219ffbd37a7d/downloadcfd449806cb36917b99c9b956691137eMD5510533/253085oai:repositorio.anid.cl:10533/2530852023-07-24 18:23:01.73http://creativecommons.org/licenses/by-nc-nd/3.0/cl/info:eu-repo/semantics/openAccesshttps://repositorio.anid.clRepositorio ANIDaletelier@anid.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 |
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