Hercule Florence: observant traveler in the garden of the world

This article aims to bring together reflections on the French traveler Hercule Florence's view of the city of Cuiabá and Charles Baudelaire's thoughts on life in French cities in the 19th century. Both portray urban experiences and capture them in the subtleties of modernity, in customs, i...

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Detalles Bibliográficos
Autores: Pimenta Martins, Deborah, Rosa Ribeiro, Renilson
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2025
País:Brasil
Institución:Universidade Estadual Paulista (UNESP)
Repositorio:Faces da História
Idioma:portugués
OAI Identifier:oai:seer.assis.unesp.br:article/2765
Acceso en línea:https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2765
Access Level:acceso abierto
Palabra clave:Viajante
Hercule Florence
flâneur
Cuiabá
Traveler
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spelling Hercule Florence: observant traveler in the garden of the worldHercule Florence: viajante observador no jardim do mundoViajanteHercule FlorenceflâneurCuiabáTravelerHercule FlorenceflâneurCuiabáThis article aims to bring together reflections on the French traveler Hercule Florence's view of the city of Cuiabá and Charles Baudelaire's thoughts on life in French cities in the 19th century. Both portray urban experiences and capture them in the subtleties of modernity, in customs, in architecture, in crowds, in speed, in morals, in betrayal, in lights, in misery, in intrigues. Baudelaire, in The Painter of Modern Life, brings the perspective of a flâneur artist criticizing Paris, while Hercule Florence draws the spaces of Cuiabá. In the manuscript L'ami des arts livré à lui-même ou Recherches et découvertes sur différents sujets nouveaux, the traveler writes his young impression of everything he observed during the Langsdorff Expedition. Based on the perception of the traveler and of the poet, we present analogies and contrasts intertwining cultures.Este artigo tem por objetivo refletir sobre o olhar do viajante francês Hercule Florence sobre a cidade de Cuiabá e o pensamento de Charles Baudelaire acerca da vida nas cidades francesas no século XIX. Ambos retratam experiências urbanas e as apreendem nas sutilezas da modernidade, nos costumes, na arquitetura, nas multidões, na velocidade, na moral, na traição, nas luzes, na miséria, nas intrigas. Baudelaire, em O pintor da vida moderna, traz o olhar de um artista flâneur tecendo críticas à Paris, enquanto Hercule Florence desenha os espaços cuiabanos. No manuscrito L'ami des arts livré à lui-même ou Recherches et découvertes sur différents sujets nouveaux, o viajante escreve a sua jovem impressão sobre tudo o que observou durante a Expedição Langsdorff. A partir da percepção do viajante e do poeta apresentamos analogia e contraposições entrelaçando culturas.UNESP2025-01-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2765Faces da História; Vol. 11 Núm. 2 (2024): Ideologias e projetos políticos no Brasil Republicano; 214-240Faces da História; v. 11 n. 2 (2024): Ideologias e projetos políticos no Brasil Republicano; 214-2402358-3878reponame:Faces da Históriainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2765/2475Copyright (c) 2025 DEBORAH PIMENTA MARTINS, RENILSON ROSA RIBEIROhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessPimenta Martins, DeborahRosa Ribeiro, Renilson2025-01-23T20:03:09Zoai:seer.assis.unesp.br:article/2765Revistahttps://seer.assis.unesp.br/index.php/facesdahistoriaPUBhttps://seer.assis.unesp.br/index.php/facesdahistoria/oai||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com2358-38782358-3878opendoar:2025-01-23T20:03:09Faces da História - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv Hercule Florence: observant traveler in the garden of the world
Hercule Florence: viajante observador no jardim do mundo
title Hercule Florence: observant traveler in the garden of the world
spellingShingle Hercule Florence: observant traveler in the garden of the world
Pimenta Martins, Deborah
Viajante
Hercule Florence
flâneur
Cuiabá
Traveler
Hercule Florence
flâneur
Cuiabá
title_short Hercule Florence: observant traveler in the garden of the world
title_full Hercule Florence: observant traveler in the garden of the world
title_fullStr Hercule Florence: observant traveler in the garden of the world
title_full_unstemmed Hercule Florence: observant traveler in the garden of the world
title_sort Hercule Florence: observant traveler in the garden of the world
dc.creator.none.fl_str_mv Pimenta Martins, Deborah
Rosa Ribeiro, Renilson
author Pimenta Martins, Deborah
author_facet Pimenta Martins, Deborah
Rosa Ribeiro, Renilson
author_role author
author2 Rosa Ribeiro, Renilson
author2_role author
dc.subject.por.fl_str_mv Viajante
Hercule Florence
flâneur
Cuiabá
Traveler
Hercule Florence
flâneur
Cuiabá
topic Viajante
Hercule Florence
flâneur
Cuiabá
Traveler
Hercule Florence
flâneur
Cuiabá
description This article aims to bring together reflections on the French traveler Hercule Florence's view of the city of Cuiabá and Charles Baudelaire's thoughts on life in French cities in the 19th century. Both portray urban experiences and capture them in the subtleties of modernity, in customs, in architecture, in crowds, in speed, in morals, in betrayal, in lights, in misery, in intrigues. Baudelaire, in The Painter of Modern Life, brings the perspective of a flâneur artist criticizing Paris, while Hercule Florence draws the spaces of Cuiabá. In the manuscript L'ami des arts livré à lui-même ou Recherches et découvertes sur différents sujets nouveaux, the traveler writes his young impression of everything he observed during the Langsdorff Expedition. Based on the perception of the traveler and of the poet, we present analogies and contrasts intertwining cultures.
publishDate 2025
dc.date.none.fl_str_mv 2025-01-23
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2765
url https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2765
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2765/2475
dc.rights.driver.fl_str_mv Copyright (c) 2025 DEBORAH PIMENTA MARTINS, RENILSON ROSA RIBEIRO
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2025 DEBORAH PIMENTA MARTINS, RENILSON ROSA RIBEIRO
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UNESP
publisher.none.fl_str_mv UNESP
dc.source.none.fl_str_mv Faces da História; Vol. 11 Núm. 2 (2024): Ideologias e projetos políticos no Brasil Republicano; 214-240
Faces da História; v. 11 n. 2 (2024): Ideologias e projetos políticos no Brasil Republicano; 214-240
2358-3878
reponame:Faces da História
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Faces da História
collection Faces da História
repository.name.fl_str_mv Faces da História - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv ||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com
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score 15,301603

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