Transgressive gender identities in the brazilian song: the body and voice performances as subversive interart poetics
In the brazilian popular song, questioning gender patterns towards a heteronormative conformation. This subversion can be observed through manifesting desire; or, even through the body language, as in transgressive performances that bring different artistic languages into dialogue. In this paper,...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal de Santa Maria (UFSM) |
| Repositorio: | Letras (Santa Maria. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/68102 |
| Acceso en línea: | https://periodicos.ufsm.br/letras/article/view/68102 |
| Access Level: | acceso abierto |
| Palabra clave: | Canção brasileira Identidade sexual e de gênero Heterossexualidade compulsória Teoria queer Performance Brazilian song Sexual and gender identity Compulsory heterosexuality Queer theory |
| Sumario: | In the brazilian popular song, questioning gender patterns towards a heteronormative conformation. This subversion can be observed through manifesting desire; or, even through the body language, as in transgressive performances that bring different artistic languages into dialogue. In this paper, such aspects are discussed particularly based on the conceptions developed by Carlos Mendonça and Felipe Kolinski Machado (2019), Renato Gonçalves (2019) and Rodrigo Faour (2006), concerning the brazilian song, and Adrienne Rich (2010), Judith Butler (2015), Luce Irigaray (2017), Monique Wittig (2019) and Paul B. Preciado (2019), who discuss gender and sexuality issues. |
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