Espelhos que congelam a imagem
Through direct testimony, the personal memory and the recurrence of other memories preserved, the author notes the particular contours of colonial photography in a photographer of Angola-1940-1976, Francisco júnior "Quitos" and his life in the city of Lobito. Technical and theoretical infe...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Brasil |
| Institución: | Universidade de Brasília (UnB) |
| Repositorio: | Revista Museologia & Interdisciplinaridade |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/17745 |
| Acceso en línea: | https://periodicos.unb.br/index.php/museologia/article/view/17745 |
| Access Level: | acceso abierto |
| Palabra clave: | Papel social da fotografia Fotógrafo Espelho Desmaterialização da Fotografia Arquivos Social role of photography Photographer Mirror Dematerialization of photography Archives |
| Sumario: | Through direct testimony, the personal memory and the recurrence of other memories preserved, the author notes the particular contours of colonial photography in a photographer of Angola-1940-1976, Francisco júnior "Quitos" and his life in the city of Lobito. Technical and theoretical inferences over most known conceptual frameworks are also tested in the way those have connected Visual Anthropology and Sociology to photography. |
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