Espelhos que congelam a imagem
Through direct testimony, the personal memory and the recurrence of other memories preserved, the author notes the particular contours of colonial photography in a photographer of Angola-1940-1976, Francisco júnior "Quitos" and his life in the city of Lobito. Technical and theoretical infe...
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| Format: | article |
| Status: | Published version |
| Publication Date: | 2018 |
| Country: | Brasil |
| Institution: | Universidade de Brasília (UnB) |
| Repository: | Revista Museologia & Interdisciplinaridade |
| Language: | Portuguese |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/17745 |
| Online Access: | https://periodicos.unb.br/index.php/museologia/article/view/17745 |
| Access Level: | Open access |
| Keyword: | Papel social da fotografia Fotógrafo Espelho Desmaterialização da Fotografia Arquivos Social role of photography Photographer Mirror Dematerialization of photography Archives |
| Summary: | Through direct testimony, the personal memory and the recurrence of other memories preserved, the author notes the particular contours of colonial photography in a photographer of Angola-1940-1976, Francisco júnior "Quitos" and his life in the city of Lobito. Technical and theoretical inferences over most known conceptual frameworks are also tested in the way those have connected Visual Anthropology and Sociology to photography. |
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