E nessa cena a vovó da Pabllo já era transgressora: performances queer na música pop brasileira
From the notion of musical scene, we propose - in this article - to approach some performances performed from the 1970s by artists of theater and music and certain performances queer of the Brazilian contemporary pop music scene. We observe these performances in productions that have been dedicated...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Repositório Institucional da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/61935 |
| Acceso en línea: | https://doi.org/10.22409/contracampo.v38i1.28054 http://hdl.handle.net/1843/61935 https://orcid.org/0000-0002-4883-3410 http://orcid.org/0000-0002-8051-126X |
| Access Level: | acceso abierto |
| Palabra clave: | Cena musical Música Pop Performance Queer Arte e música Música Popular Performance (Arte) - Brasil Pessoas LGBTQ+ |
| Sumario: | From the notion of musical scene, we propose - in this article - to approach some performances performed from the 1970s by artists of theater and music and certain performances queer of the Brazilian contemporary pop music scene. We observe these performances in productions that have been dedicated and dedicated to question the limits imposed by the social roles of gender; who denounce heteronormative patrolling over bodies; and that invests in the visibility of fluid and diverse identities. We are interested in this approach to perceive a common that has been supported in other ethics, arising from new aesthetic circulations; how the performance of those bodies contained and contains a transforming power of consciousness; how pop becomes a politician. |
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