Ante lo intolerable: la resistencia melancólica de Letrux
This article exposes a theoretical reflection about the construction of spaces for reaction against the authoritarian thought, mediated by a melancholic artistic elaboration between the years 2018-2022 in Brazil. It is based on the understanding that melancholic contours were constituted indissociab...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade de Brasília (UnB) |
| Repositorio: | Estudos de Literatura Brasileira Contemporânea |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/56016 |
| Acceso en línea: | https://periodicos.unb.br/index.php/estudos/article/view/56016 |
| Access Level: | acceso abierto |
| Palabra clave: | Letrux, resistência, melancolia. Letrux, resistencia, melancolía. Letrux, resistance, melancholy. |
| Sumario: | This article exposes a theoretical reflection about the construction of spaces for reaction against the authoritarian thought, mediated by a melancholic artistic elaboration between the years 2018-2022 in Brazil. It is based on the understanding that melancholic contours were constituted indissociably as a side effect of the country’s political structure. Considering the relations between melancholy, literature, and society, it proposes an analysis structured around Letrux’s work (2018; 2020a; 2020b; 2021a; 2021b; 2022), who rejected the haunting of a far-right government by creating artistic objects under the melancholic scope, fostering propositions of resistance in a time that appeared intolerable. |
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