Being present in the museum: dance improvising related to visual arts expositions
This article presents two proposals between dance and visual arts realized in the University Art Museum (MUnA), Federal University of Uberlândia (UFU), State of Minas Gerais, Brazil. The first one thinks about the practice of improvisation in dance based on aesthetic experience settled at the museum...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | Brasil |
| Institución: | Universidade Federal de Uberlândia (UFU) |
| Repositorio: | Revista Em Extensão (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.www.seer.ufu.br:article/44119 |
| Acceso en línea: | https://seer.ufu.br/index.php/revextensao/article/view/44119 |
| Access Level: | acceso abierto |
| Palabra clave: | Improvação Dança Mediação Presença Museu de arte Improvisation Dance Mediation Presence Art museum |
| Sumario: | This article presents two proposals between dance and visual arts realized in the University Art Museum (MUnA), Federal University of Uberlândia (UFU), State of Minas Gerais, Brazil. The first one thinks about the practice of improvisation in dance based on aesthetic experience settled at the museum; the second one discusses a process of real time composition in dance created from the relation with works of art, architectural space and the museum's audience. from these experiences, emerge reflections upon the notion of state of presence as a more sensitive, attentive, and essential way of experiencing aesthetic experiences, (for both improviser and art audiences). finally, this intends to highlight how improvisation can unfold multiple proceedings for the creation and learning in art. |
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