What space should theater epistemologies occupy in the new degree program for theater teachers?

The paper addresses the crisis in the relationship between theatrical and educational epistemologies in the context of the new curriculum guidelines for teacher training in Brazil (CNE Resolutions 02/2015 and 02/2019). As a case study, it looks at the curriculum of the Theater Degree course at the U...

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Detalles Bibliográficos
Autor: Lima, Francisco André Sousa
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2024
País:Brasil
Institución:Universidade do Estado de Santa Catarina (UDESC)
Repositorio:Urdimento (Online)
Idioma:portugués
OAI Identifier:oai::article/25537
Acceso en línea:https://www.revistas.udesc.br/index.php/urdimento/article/view/25537
Access Level:acceso abierto
Palabra clave:theatrical epistemologies
theater pedagogy
teacher training
artistic creation
CNE Resolution 02/2019
epistemologias teatrais
pedagogia do teatro
formação de professores
criação artística
Resolução CNE 02/2019
epistemologías teatrales
pedagogía teatral
formación de profesores
creación artística
Resolución CNE 02/2019
Descripción
Sumario:The paper addresses the crisis in the relationship between theatrical and educational epistemologies in the context of the new curriculum guidelines for teacher training in Brazil (CNE Resolutions 02/2015 and 02/2019). As a case study, it looks at the curriculum of the Theater Degree course at the Universidade Estadual do Sudoeste da Bahia (Brazil) and its initiatives designed to combine the pedagogical and propaedeutic dimensions of drama. Based on contemporary studies in theater pedagogy, it establishes links between artistic praxis, theatrical theories and theater-education in order to resolve possible controversies about the conveyance of artistic composition principles in the training of theater teachers.