War songs and songs of war: the poetry in B minor by Fabrizio De André

The 2nd half of last century, the Italian composer Fabrizio De André (1940-1999) occupied a prominent place in the history of Italian song and even the modern Italian poetry. His fans admire the moral courage and artistic coherence with which he, in the post-war Italian society, through his libertar...

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Bibliographic Details
Author: Lentz, Gleiton
Format: article
Status:Published version
Publication Date:2010
Country:Brasil
Institution:Universidade Federal de Santa Catarina (UFSC)
Repository:Anuário de Literatura (Online)
Language:Portuguese
OAI Identifier:oai:periodicos.ufsc.br:article/15161
Online Access:https://periodicos.ufsc.br/index.php/literatura/article/view/2175-7917.2010v15n2p249
Access Level:Open access
Description
Summary:The 2nd half of last century, the Italian composer Fabrizio De André (1940-1999) occupied a prominent place in the history of Italian song and even the modern Italian poetry. His fans admire the moral courage and artistic coherence with which he, in the post-war Italian society, through his libertarian and pacifist songs, portrayed the world of the marginalized, the rebels and the prostitutes, and other characters on the margins of society, among those, the war combatant, hero of lost victories on the battlefield. Three of his songs are emblematic: La Ballata dell'eroe, La Guerra di Piero and Girotondo. Three poems that talk about war, death, and the figure of the combatant as an outcast of society, that kills him and then relegates him to oblivion, on behalf of the Fatherland. Exposing his provocative vision of post-war society by showing two videos of the composer is the purpose of this presentation.