War for Territory: musical scenes, aesthetics experience and a heavy metal song.

This paper addresses musical scenes as sonic territories, where musical genres are materialized, taking as a case study the configuration of heavy metal in its generic traits and how these marks are worked in “Territory”, a particular song from the brazilian metal group Sepultura. This analytical ex...

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Detalles Bibliográficos
Autor: Janotti Junior, Jeder Silveira
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2014
País:Brasil
Institución:Associação Nacional dos Programas de Pós-Graduação em Comunicação
Repositorio:E-Compós
Idioma:portugués
OAI Identifier:oai:ojs.www.e-compos.org.br:article/1021
Acceso en línea:https://www.e-compos.org.br/e-compos/article/view/1021
Access Level:acceso abierto
Palabra clave:Cena Musical-Experiência Estética-Heavy Metal
Descripción
Sumario:This paper addresses musical scenes as sonic territories, where musical genres are materialized, taking as a case study the configuration of heavy metal in its generic traits and how these marks are worked in “Territory”, a particular song from the brazilian metal group Sepultura. This analytical exercise allows us to observe the extent to which sound acts as a starting point to articulate aesthetic experiences that permeate local and global aspects of the musical scenes.