THERE IS A GERMAN IN THE SAMBA: THE CARNIVAL OF LASAR SEGALL
This paper investigates the meeting points between Lasar Segall and the carnival, especially considering the confluence of traditions and thoughts in the dialogue between this expressionist artist and the Brazilian cultural reality.
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2011 |
| País: | Brasil |
| Institución: | Universidade do Estado do Rio de Janeiro (UERJ) |
| Repositorio: | Textos escolhidos de cultura e arte populares (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.www.e-publicacoes.uerj.br:article/10329 |
| Acceso en línea: | https://www.e-publicacoes.uerj.br/tecap/article/view/10329 |
| Access Level: | acceso abierto |
| Palabra clave: | LASAR SEGALL CARNIVAL EXPRESSIONISM PRIMITIVISM. CARNAVAL EXPRESSIONISMO PRIMITIVISMO LASAR SEGALL. |
| Sumario: | This paper investigates the meeting points between Lasar Segall and the carnival, especially considering the confluence of traditions and thoughts in the dialogue between this expressionist artist and the Brazilian cultural reality. |
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