Wide angle plan of a fleeting São Paulo
São Paulo has been filmed since more than a century, and this article proposes a synthesis of several points concerning the history of relations between the city and films. We have particularly worked on problems of the representation of the city, including various aspects, from human to physical la...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2009 |
| País: | Brasil |
| Institución: | Universidade Federal de Goiás (UFG) |
| Repositorio: | Comunicação & Informação (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistas.ufg.br:article/7486 |
| Acceso en línea: | https://revistas.ufg.br/ci/article/view/7486 |
| Access Level: | acceso abierto |
| Palabra clave: | History of Cinema. City of São Paulo.São Paulo's Movie.Cinematographic Representation of the City.Esthetics of Cinema.Landscape and Cinema.Urban Image São Paulo. cinema.representação |
| Sumario: | São Paulo has been filmed since more than a century, and this article proposes a synthesis of several points concerning the history of relations between the city and films. We have particularly worked on problems of the representation of the city, including various aspects, from human to physical landscape. Towards the composition of that large panorama we had to synthesize current formulations, trying to review the author's research, mentioned in footnotes whenever is possible. Taking São Paulo filmed by historical periods on little synchronical panoramas, in diachronical considerations or purposes, we try to figure out transformations, permanency, ruptures and traditions. |
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