The reality of trauma: fictional configurations in the novel Em câmara lenta, by Renato Tapajós
This paper aims to analyze the novel Em câmara lenta, of Renato Tapajós, considering the aesthetic postures in their intrinsic relationship with the history and politics of the time. In this observation it will be required a small exposure of [a] the notions of memory and&...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2012 |
| País: | Brasil |
| Recursos: | Universidade Federal de Santa Maria (UFSM) |
| Repositorio: | Literatura e Autoritarismo |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/75301 |
| Acesso em linha: | http://periodicos.ufsm.br/LA/article/view/75301 |
| Access Level: | acceso abierto |
| Palavra-chave: | Em câmara lenta Walter Benjamin Testimony Self fiction Testemunho Autoficção |
| Resumo: | This paper aims to analyze the novel Em câmara lenta, of Renato Tapajós, considering the aesthetic postures in their intrinsic relationship with the history and politics of the time. In this observation it will be required a small exposure of [a] the notions of memory and trauma in the work of Walter Benjamin and [b] its relationship with the studies of Márcio Seligmann-Silva and Jeanne Marie Gagnebin about the testimony and the real, attempting to [c] the considerations of Diana Irene Klinger about the self fiction’s reality. |
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