Rethinking modernity: The debate around art, time and politics in Jacques Rancière
In Modern Times: art, time, politics, the french philosopher Jacques Rancière (2021) provides elements to think about the constitution of great narratives in the historical process, putting under suspicion the past and future opposition, but also to think about the conditions of possibilities of the...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repositorio: | Revista FAMECOS: Mídia cultura e tecnologia |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/43168 |
| Acceso en línea: | https://revistaseletronicas.pucrs.br/revistafamecos/article/view/43168 |
| Access Level: | acceso abierto |
| Palabra clave: | Modernity Temporalities Art Policy Movie theater Modernidad Temporalidades Arte Política Cine Modernidade Cinema |
| Sumario: | In Modern Times: art, time, politics, the french philosopher Jacques Rancière (2021) provides elements to think about the constitution of great narratives in the historical process, putting under suspicion the past and future opposition, but also to think about the conditions of possibilities of the temporalities in the establishment of new regimes and disturbances of the sensitive, with an emphasis on cinema. Rancière’s reflection provokes a rethinking of the relationship between art, time and politics and the conflicts that are exposed with the treatment of different temporalities, so to speak, and a review of modernity and the hierarchical distribution of times and forms of life in the great narratives, especially in cinema. |
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